000			01984cam a2200385Ki 4500
001			on1242577698
003			OCoLC
005			20240726105152.0
008			210321s2021 wlka ob |01 0 eng d
040			_aYDX _beng _erda _cYDX _dNT _dOCLCO _dEBLCP _dUKAHL _dYDXIT
020			_a9781786836991 _q((electronic)l(electronic)ctronic)
020			_a9781786837004 _q((electronic)l(electronic)ctronic)
043			_ae-uk---
050	0	4	_aPN1995 _b.T736 2021
049			_aMAIN
100	1		_aDecker, Lindsey, _e1
245	1	0	_aTransnationalism and genre hybridity in new British horror cinema /Lindsey Decker.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aHorror Studies
504			_a2
505	0	0	_aIntro -- _tTitle Page -- _tCopyright Page -- _tContents -- _tAcknowledgements -- _tList of Illustrations -- _tIntroduction: Frights, Film Culture and Genre Hybrids -- _t1. The 'Bastard Child of Mainstream Cinema' -- _t2. The Golden Age of British Cinema is Undead -- _t3. Hybrid Hoodie Horrors -- _t4. 'A Famous Corpse' -- _tConclusion: British Horror's Perpetually 'Dying Light' -- _tNotes -- _tReferences -- _tFilmography -- _tIndex.
520	0		_aThis book takes British horror films of the 2000s as a case study to theorise transnational genre hybridity, which combines genres from different national cinemas.
530			_a2 _ub
650		0	_aHorror films _zGreat Britain _xHistory and criticism.
650		0	_aMotion pictures and transnationalism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2892425&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91279 _d91279
902			_a1 _bCynthia Snell _c1 _dCynthia Snell