000 | 03382cam a2200457Mi 4500 | ||
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001 | on1245666038 | ||
003 | OCoLC | ||
005 | 20240726105151.0 | ||
008 | 210410s2021 xx o ||| 0 eng d | ||
040 |
_aEBLCP _beng _erda _cEBLCP _dNT _dOCLCO _dYDX |
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020 |
_a9780817393458 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aF2172 _b.R435 2021 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aReal, Recent, or Replica : _bPrecolumbian Caribbean Heritage As Art, Commodity, and Inspiration. _c |
300 | _a1 online resource (348 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aCaribbean Archaeology and Ethnohistory | |
500 | _aDescription based upon print version of record. | ||
504 | _a2 | ||
505 | 0 | 0 |
_aIntro -- _tContents -- _tForeword-Peter E. Siegel -- _tPreface-Joanna Ostapkowicz and Jonathan A. Hanna -- _tIntroduction. Precolumbian Caribbean Heritage in Flux, the Old and the Not So Old-Joanna Ostapkowicz and Jonathan A. Hanna -- _t1. Caribbean Indigenous Art Past, Present, Future/The View from the Greater Antilles-Joanna Ostapkowicz -- _t2. Archaeological Heritage Market and Museums in the Dominican Republic-Arlene Alvarez, Corinne L. Hofman, and Mariana C. Françozo -- _t3. The Vibrancy of "Taíno"-Themed/Arts and Crafts Identity and Symbolism in Modern and Postmodern Borikén-José R. Oliver |
505 | 0 | 0 |
_a4. Jamaican Cultural Material/Pilfered and Forged-Lesley-Gail Atkinson Swaby -- _t5. Spice Isle Sculptures/Antiquities and Iconography in Grenada, West Indies-Jonathan A. Hanna -- _t6. Genuine Reproductions/Ethics, Practicalities, and Problems in Creating a Replica of a Zemi from Carriacou, Grenada, West Indies-John G. Swogger -- _t7. Fakes, Copies, and Replicas in Cuban Archaeology-Roberto Valcárcel Rojas, Vernon James Knight, Elena Guarch Rodríguez, and Menno L. P. Hoogland -- _t8. "Seem[ing] Authentic[ity]" Irving Rouse on Forgeries, a Museological Perspective-Joanna Ostapkowicz and Roger Colten |
505 | 0 | 0 |
_a9. Authenticity, Preservation, and Care in Central American Indigenous Material Culture-Alexander Geurds -- _t10. Reducing the Market for Illicit Cultural Objects/The Caribbean and Beyond-Donna Yates -- _tEpilogue. Real, Recent, Replica (Confessions of an Archaeologist/Curator/Puerto Rican)-L. Antonio Curet -- _tAppendix. An Overview of the Laws Governing Archaeological Heritage in the English- and Spanish-Speaking Caribbean-Amanda Byer -- _tReferences Cited -- _tContributors -- _tIndex |
530 |
_a2 _ub |
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650 | 0 |
_aIndian art _zCaribbean Area. |
|
650 | 0 |
_aAntiquities, Prehistoric _xReproductions _zCaribbean Area. |
|
650 | 0 |
_aCultural property _xProtection _zCaribbean Area. |
|
650 | 0 |
_aForgery of antiquities _zCaribbean Area. |
|
650 | 0 | _aAuthentication. | |
655 | 1 | _aElectronic Books. | |
700 | 1 | _aOstapkowicz, Joanna. | |
700 | 1 |
_aHanna, Jonathan A., _d1984- |
|
700 | 1 | _aSiegel, Peter E. | |
700 | 1 |
_aCuret, L. Antonio, _d1960- |
|
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2754319&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hF _m2021 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c91253 _d91253 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |