000			03201cam a2200361Mi 4500
001			on1232410665
003			OCoLC
005			20240726105151.0
008			210124s2020 wau o 000 0 eng d
040			_aYDX _beng _erda _cYDX _dJSTOR _dYDXIT _dEBLCP _dUAB _dNT
020			_a9780295747644 _q((electronic)l(electronic)ctronic)
050	0	4	_aTR139 _b.L385 2020
049			_aMAIN
100	1		_aFerrer, Elizabeth. _e1
245	1	0	_aLatinx photography in the United States. A visual history /Elizabeth Ferrer.
260			_aSeattle : _bUniversity of Washington Press _c2020.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	8		_aWhether at UFW picket lines in California's Central Valley or capturing summertime street life in East Harlem Latinx photographers have documented fights for dignity and justice as well as the daily lives of ordinary people. Their powerful, innovative photographic art touches on family, identity, protest, borders, and other themes, including the experiences of immigration and marginalization common to many of their communities. Yet the work of these artists has largely been excluded from the documented history of photography in the United States.0Through individual profiles of more than eighty photographers from the early history of the photographic medium to the present, Elizabeth Ferrer introduces readers to Latinx portraitists, photojournalists, and documentarians and their legacies. She traces the rise of a Latinx consciousness in photography in the 1960s and '70s and the growth of identity-based approaches in the 1980s and '90s. Ferrer argues that in many cases a shared sense of struggle has motivated photographers to work purposefully, driven by a deep sense of resistance, social and political commitments, and cultural affirmation, and she highlights the significance of family photos to their approaches and outlooks. Works range from documentary and street photography to narrative series to conceptual projects. Latinx Photography in the United States is the first book to offer a parallel history of photography, one that no longer lies at the margins but rather plays a crucial role in imagining and creating a broader, more inclusive American visual history.
505	0	0	_aCover -- _tTitle -- _tCopyright -- _tDedication -- _tContents -- _tPreface -- _tAcknowledgments -- _tChapter01 -- _tChapter02 -- _tChapter03 -- _tChapter04 -- _tChapter05 -- _tChapter06 -- _tChapter07 -- _tChapter08 -- _tChapter09 -- _tChapter10 -- _tNotes -- _tBibllography -- _tIndex of Latinx Photographers -- _tGeneral Index
530			_a2 _ub
650		0	_aHispanic American photographers.
650		0	_aPhotography, Artistic.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2734001&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hTR _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91220 _d91220
902			_a1 _bCynthia Snell _c1 _dCynthia Snell