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001 on1231608614
003 OCoLC
005 20240726105150.0
008 210116s2021 ne o 000 0 eng d
040 _aEBLCP
_beng
_erda
_cEBLCP
_dNT
_dOCLCO
_dEBLCP
_dJSTOR
_dUKAHL
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020 _a9048550939
_q((electronic)l(electronic)ctronic)
020 _a9789048550937
_q((electronic)l(electronic)ctronic)
043 _ae------
050 0 4 _aHQ1150
_b.C435 2021
049 _aMAIN
245 1 0 _aChallenging Women's Agency and Activism in Early Modernity /edited by Merry E. Wiesner-Hanks.
300 _a1 online resource (314 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aGendering the Late Medieval and Early Modern World
504 _a2
505 0 0 _aCover --
_tTable of Contents --
_tIntroduction --
_tMerry E. Wiesner-Hanks --
_tPart I: Choosing and Creating --
_t1. Bad Habits and Female Agency --
_tAttending to Early Modern Women in the Material History of Intoxication --
_tAngela McShane --
_t2. Setting up House --
_tArtisan Women's Trousseaux in Seventeenth-Century Bologna --
_tJoyce de Vries --
_t3. Crafting Habits of Resistance --
_tSusan Dinan, Karen Nelson, and Michele Osherow --
_tPart II: Confronting Power --
_t4. Confronting Women's Actions in History --
_tFemale Crown Fief Holders in Denmark --
_tGrethe Jacobsen --
_t5. Divisive Speech in Divided Times?
505 0 0 _aWomen and the Politics of Slander, Sedition, and Informing during the English Revolution --
_tCaroline Boswell --
_t6. Why Political Theory is Women's Work --
_tHow Moderata Fonte Reclaimed Liberty for Women inside and outside Marriage --
_tCaroline Castiglione --
_t7. 'Wrestling the World from Fools' --
_tTeaching Historical Empathy and Critical Engagement in Traditional and Online Classrooms --
_tJennifer Selwyn --
_tPart III: Challenging Representations --
_t8. Thinking Beings and Animate Matter --
_tMargaret Cavendish's Challenge to the Early Modern Order of Things --
_tMihoko Suzuki --
_t9. The Agency of Portrayal
505 0 0 _aThe Active Portrait in the Early Modern Period --
_tSaskia Beranek and Sheila ffolliott --
_t10. Marking Female Ocular Agency in the 'Medieval Housebook' --
_tAndrea Pearson --
_tPart IV: Forming Communities --
_t11. Claude-Catherine de Clermont --
_tA Taste-Maker in the Continuum of Salon Society --
_tJulie D. Campbell --
_t12. Religious Spaces in the Far East --
_tWomen's Travel and Writing in Manila and Macao --
_tSarah E. Owens --
_t13. Accounting for Early Modern Women in the Arts --
_tReconsidering Women's Agency, Networks, and Relationships --
_tTheresa Kemp, Catherine Powell, and Beth Link --
_tIndex
505 0 0 _aList of figures and tables --
_tFigure 1.1: Two eighteenth-century snuffboxes. Image Courtesy of John H Bryan II. --
_tFigure 1.2: Cowrie-shell snuffbox, dated 1748. Image courtesy of Yale University Art Gallery. --
_tFigure 1.3: Silver snuffbox. Image Courtesy of Yale University Art Gallery. --
_tFigure 1.4: Snuffbox with a female textile worker. Image courtesy of John H Bryan II. --
_tFigure 1.5: Snuffbox with phallic image. Photo: author. --
_tFigure 1.6: Engraved snuff-gourd. Image courtesy of John H Bryan II. --
_tFigure 1.7: Knitting sheath front face. Image courtesy of John H Bryan II.
505 0 0 _aFigure 1.8: Knitting sheath rear face. Image courtesy of John H Bryan II. --
_tFigure 3.1: Esther and Ahasuerus (1665) (c) Victoria and Albert Museum, London. --
_tFigure 3.2: 'A Heroine Forcibly Enters a Jail to Liberate a Hero', Freer Sackler accession S1986.399, Purchase-Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler, www.freersackler.si.edu/object/S19
500 _aFigure 8.1: Margaret Cavendish, Poems, or several Fancies in Verse. With the Animal Parliament, in Prose (London: A. Maxwell, 1668), frontispiece. Engraving by Abraham von Diepenbeeck. 720.h.28. (c)British Library Board.4.
530 _a2
_ub
650 0 _aWomen
_zEurope
_xHistory.
650 0 _aFeminism
_zEurope
_xHistory.
655 1 _aElectronic Books.
700 1 _aWiesner, Merry E.,
_d1952-
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2725178&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
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_m2021
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_R
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_8NFIC
_2LOC
994 _a92
_bNT
999 _c91212
_d91212
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell