000			05177cam a2200529Mi 4500
001			on1225552339
003			OCoLC
005			20240726105150.0
008			201205s2021 inu o ||| 0 eng d
040			_aEBLCP _beng _epn _erda _cEBLCP _dYDX _dYDXIT _dOCLCO _dJSTOR _dEBLCP _dWAU _dOCLCF _dOCLCO _dNT
020			_a9780253053008 _q((electronic)l(electronic)ctronic)
050	0	4	_aN3999 _b.P768 2021
049			_aMAIN
245	1	0	_aProvenance and early cinema /edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Umibe.
300			_a1 online resource (viii, 420 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aEarly Cinema in Review: Proceedings of Domitor Ser.
500			_aDescription based upon print version of record.
504			_a2
505	0	0	_aCover -- _tTitle page -- _tCopy right -- _tContents -- _tDomitor Series -- _tPrécis -- _tIntroduction: Provenance and Early Cinema: From Preservation and Collection to Circulation and Repurposing -- _tPart I. Studying Provenance: From Analog to Digital -- _t1. Film Provenance: A Framework for Analysis -- _t2. Origins: Early Films and Archival Collections -- _t3. From Provenience to Provenance: The Kerstrat-d'hauterives Collection -- _t4. Provenance and Film Historiography: 1910s Films at the George Eastman Museum -- _t5. Issues of Provenance and Attribution for the Canon: Bookending Robert Paul
505	0	0	_a6. Shattered Provenance in the Digitization of Early Colorfilms -- _tPart II. Preservation and Collection -- _t7. Dreaming in Color: The Image and the Artifact -- _t8. Where Did the Costumes in Early Cinema Come From? -- _t9. Thinking With Provenance: Drawing Trajectories in the Francis Doublier Collection at the George Eastman Museum -- _t10. Revisiting the Films of Albert Kahn's Archives De La Planète: a Material Survey -- _t11. The Thanhouser Studio Filmography: Analysis and Extant Prints
505	0	0	_a12. The Great War at Scale: New Opportunities for Provenance in World War I Collections at the National Archives (Nara) -- _tPart III. Circulation -- _t13. Chicago's "censored Casualties" and the Provenance of Archive Prints -- _t14. What Made the Mechanicals Move? Postcards in Transit -- _t15. "The End of a Foreign Monopoly": Bausch and Lomb and the Wartime Provenance of Optical Glass -- _t16. Pathé Films in Brazil: The Archives of Marc Ferrez and Sons (1908-1916) -- _t17. Establishing the Provenance of Early Advertising Films: Film Catalogs and the Creation of the Nontheatrical Market
505	0	0	_a18. A Journey on the World's Most Northerly Railway: The Renaming and Remaking of Swedish Industrial Films -- _t19. In Search of "The Edison Biograph Company": Film History through Philippine Archives -- _t20. Ownership, Exploitation, Stewardship: Tracking the Footage of the 1911-1913 Australian Antarctic Expedition -- _tPart IV. Repurposing -- _t21. Finding Early Cinema in the Avant-Garde: Research and Investigation -- _t22. Ernie Gehr's The Collector (2003) and Ernie Gehr the Collector -- _t23. Flicker: Thom Andersen Takes Muybridge to the Movies
505	0	0	_a24. Provenance on Ice: Dawson City: Frozen Time and the Dawson City Collection -- _t25. Praxis as Media Historiography: The Peep Box's "expanding View" as Virtual Reality -- _t26. How Newspaper Novels and Their Illustrations Shaped Japanese Films -- _t27. Archival Object or Object Lesson? Bricolage as Process and as Concept in the Edmundo Padilla Collection -- _tAppendix: French Language Essay -- _t28. La Collection De Kerstrat-d'hauterives, De Sa Provenience À Sa Provenance -- _tAppendix: French Language Essay -- _t29. D'où Viennent Les Costumes Du Cinéma Des Premiers Temps?
500			_aAppendix: Dryden Theatre Screening Program.
520	0		_aConcerned contributors in Provenance and Early Cinema challenge scholars digging through film archives to ask, ""How did these moving images get here for me to see them?This volume, which features the conference proceedings from Domitor, the International Society for the Study of Early Cinema, 2018, questions preservation, attribution, and patterns of reuse in order to explore singular artifacts with long and circuitous lives.
530			_a2 _ub
650		0	_aArt _xProvenance.
655		1	_aElectronic Books.
700	1		_aBernardi, Joanne, _e5
700	1		_aCherchi Usai, Paolo, _e5
700	1		_aWilliams, Tami, _d1970- _e5
700	1		_aYumibe, Joshua, _e5
700	1		_aBlot-Wellens, Camille, _econtributor.
700	1		_aLacasse, Germain, _econtributor
700	1		_aIngravalle, Grazia, _econtributor
700	1		_aChristie, Ian, _econtributor
700	1		_aDaugaard, Noemi, _econtributor
700	1		_aStutz, Olivia Kristina, _econtributor
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2697600&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN _m2021 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91165 _d91165
902			_a1 _bCynthia Snell _c1 _dCynthia Snell