000 01775cam a2200385Mi 4500
001 on1202814514
003 OCoLC
005 20240726105149.0
008 090713s2020 xx o 000 u eng d
040 _aRECBK
_beng
_erda
_cRECBK
_dYDX
_dOCLCO
_dJSTOR
_dOCLCF
_dOCLCO
_dNT
020 _a9780861969791
_q((electronic)l(electronic)ctronic)
020 _a9780861969807
_q((electronic)l(electronic)ctronic)
050 0 4 _aNX543
_b.L663 2020
049 _aMAIN
100 1 _aCurtis, David.
_e1
245 1 0 _aLondon's arts labs and the 60s avant-gardeDavid Curtis.
260 _a[S.l. :
_bJohn Libbey Publishing,
_c(c)2020.
300 _a1 online resource
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
520 0 _aThis is the story of two short-lived artist-run spaces that are associated with some of the most innovative developments in the arts in Britain in the late 1960s. The Drury Lane Arts Lab (1967'69) was home to the first UK screenings of Andy Warhol's twin-screen 3 hour film Chelsea Girls, challenging exhibitions (John and Yoko /
530 _a2
_ub
650 0 _aArts
_zGreat Britain
_xExhibitions
_xHistory.
650 0 _aExperimental films
_zGreat Britain.
650 0 _aExperimental theater
_zGreat Britain.
655 1 _aElectronic Books.
700 1 _aRecorded Books, Inc.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2669366&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hNX
_m2020
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c91141
_d91141
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell