000 03327cam a2200409 i 4500
001 on1184121978
003 OCoLC
005 20240726105148.0
008 200717s2021 nyua ob 001 0beng
010 _a2020032460
040 _aDLC
_beng
_erda
_epn
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_dJSTOR
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020 _a9780231552028
_q((electronic)l(electronic)ctronic)
042 _apcc
043 _an-us-ma
050 0 4 _aBR128
_b.T354 2021
049 _aMAIN
100 1 _aWoodbine, Onaje X. O.,
_e1
245 1 0 _aTake back what the devil stole :
_ban African American prophet's encounters with the spirit world /
_cOnaje X.O. Woodbine.
300 _a1 online resource (xii, 254 pages) :
_billustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
520 0 _a"Take Back What the Devil Stole examines the lived religion of an extraordinary African American woman (Ms. Donna Haskins) as she struggles to survive the streets of inner-city Boston through the use of astral flight, telepathy, speaking in tongues, fasting, and spirit possession. Drawing from a mixture of Christian and Afro-Caribbean indigenous sources, Donna transforms her one-bedroom apartment and Boston's violent street corners into portals to other dimensions of reality, which she believes exist outside the bounds of wealthy white male power structures and established religious institutions. While historians of religion have often dismissed such paranormal phenomena as astral flying and telepathy as insignificant for the study of religion, Woodbine argues that these phenomena are essential to understanding religion, especially as it is lived among marginalized communities of African descent. In particular, practitioners of African and Afro-Caribbean indigenous traditions often find no contradiction between their Christian beliefs and the manipulation of energy and spirits that often exists in African-based spiritual practices. In order to fully understand Donna's lived religion and the spiritual lives of many black women in the United States, exploring these overlooked paranormal phenomena is both essential and a novel contribution to religious studies. To that end, the book combines ethnography, social science, theology, and personal narrative in order to capture the "felt sense" of Donna's lived religion in a compelling way that will enable readers to understand how women, particularly black women, live their faith in ways that upend the racist and sexist narratives and institutions of the dominant culture"--
_cProvided by publisher
530 _a2
_ub
600 1 0 _aHaskins, Donna.
650 0 _aChristianity and other religions
_xAfrican.
650 0 _aAfrican American women
_xReligion.
650 0 _aReligious biography
_zMassachusetts
_zBoston.
650 0 _aAfro-Caribbean cults.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2634493&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
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_m2021
_QOL
_R
_x
_8NFIC
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994 _a92
_bNT
999 _c91076
_d91076
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell