000			03746cam a2200433Ii 4500
001			on1193068047
003			OCoLC
005			20240726105147.0
008			200907s2020 enkab ob 001 0 eng d
040			_aYDX _beng _erda _cYDX _dNT _dEBLCP _dJSTOR _dUKMGB _dOCLCF _dUKAHL _dXII
015			_aGBC0B8452 _2bnb
016	7		_a019888266 _2Uk
020			_a9781526142856 _q((electronic)l(electronic)ctronic)
050	0	4	_aCC72 _b.I434 2020
049			_aMAIN
245	1	0	_aImages in the making : _bart, process, archaeology / _cedited by Ing-Marie Back Danielsson and Andrew Meirion Jones
260			_aManchester : _bManchester University Press, _c(c)2020.
300			_a1 online resource (xvii, 227 pages) : _billustrations, maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aSocial archaeology and material worlds
505	0	0	_aIntroduction / _rIng-Marie Back Danielsson and Andrew Meirion Jones 1 -- _tThe Nile in the hippopotamus : being and becoming in faience figurines of Middle Kingdom ancient Egypt / _rRune Nyord -- _tAn archaeology of anthropomorphism : upping the ontological ante of Alfred Gell's anthropology of art through a focus on making / _rBenjamin Alberti -- _tDirty RTI / _rIan Dawson -- _tRock art as process : Iberian Late Bronze Age 'warrior' stelae in-the-making / _rMarta Díaz-Guardamino -- _tImages and forms before Plato : the carved stone balls of Northeast Scotland / _rAndrew Meirion Jones -- _tConnectivity and the making of Atlantic Rock Art / _rJoana Valdez-Tullett -- _tNeolithic and Copper Age stamps in the Balkans : a material and processual account of image making / _rAgni Prijatelj -- _tPattern as patina : Iron Age 'kintsugi' from East Yorkshire / _rHelen Chittock -- _tThe act of creation : tangible engagements in the making and 'remaking' of prehistoric rock art / _rLara Bacelar Alves -- _t'Guldgubbars' changing ontology : Scandinavian Late Iron Age gold foil figures through the lens of intra-action / _rIng-Marie Back Danielsson -- _tThe partial and the vague as a visual mode in Bronze Age rock art / _rFredrik Fahlander -- _tParts and holes : a commentary / _rLouisa Minkin.
520	0		_aThis book offers an analysis of archaeological imagery based on new materialist approaches. Reassessing the representational paradigm of archaeological image analysis, it argues for the importance of ontology, redefining images as material processes or events that draw together differing aspects of the world. The book is divided into three sections: 'Emergent images', which focuses on practices of making; 'Images as process', which examines the making and role of images in prehistoric societies; and 'Unfolding images', which focuses on how images change as they are made and circulated. Featuring contributions from archaeologists, Egyptologists, anthropologists and artists, it highlights the multiple role of images in prehistoric and historic societies, while demonstrating that scholars need to recognise their dynamic and changeable character.
504			_a2
530			_a2 _ub
650		0	_aIdols and images.
650		0	_aImage analysis.
650		0	_aArchaeology _xPhilosophy.
650		0	_aArt, Prehistoric.
655		1	_aElectronic Books.
700	1		_aDanielsson, Ing-Marie Back, _e5
700	1		_aJones, Meirion Andrew, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2591570&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hCC _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c91027 _d91027
902			_a1 _bCynthia Snell _c1 _dCynthia Snell