000			03504cam a2200385Ii 4500
001			on1155989730
003			OCoLC
005			20240726105144.0
008			200601s2020 ohu o s000 p eng d
040			_aNT _beng _erda _epn _cNT _dYDX _dNT _dEBLCP _dOCL _dUKAHL _dJSTOR
020			_a9780821440957 _q((electronic)l(electronic)ctronic)
050	0	4	_aPS3608 _b.A935 2020
049			_aMAIN
100	1		_aHanson, Julie Jordan, _e1
245	1	0	_aThe audible and the evident : _bpoems / _cJulie Hanson.
260			_aAthens : _bOhio University Press, _c(c)2020.
300			_a1 online resource (viii, 88 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aThe Hollis Summers Poetry Prize
504			_a2
520	0		_a"In this, Julie Hanson's second award-winning book, the poems inscribe deep stillness on a world of harmonies in motion. Whether composed on modern objects, say a vacuum-"part pet, part sculpture/sprawled awkwardly, still shrieking"-that evokes a sudden onrush of sobbing, or the notional movement between a plastic bag, a lawn and a return from a France not yet visited, these poems circulate among the senses as moments that pass and are recalled. Hanson's poems investigate interiority as they resonate in the ear to excite the eye. Together, her poems illustrate the movement between and among seasons and tasks, work and leisure, solitude and people, and all through the private life as it intersects with the products and noises of industry and nature. Hanson's is a poetic realm that includes the head-splitting bright white screamings of an Indy 500 race into a zen garden, this realm we all inhabit where birdsong and squeaky water meters improvise together"-- _cProvided by publisher.
505	0	0	_aCover -- _tContents -- _tPart I -- _tReal Life, Dear Voyeur, Real Life -- _tMushroom on the Lawn -- _tQu'est-ce qu'il y a? -- _tThey Are Widening the Road -- _tButtons -- _tMy Job as a Child -- _tImprovisation or The Bluebird of Happiness -- _tDeleted Poem -- _tA Tan Dog Standing -- _tWhy Do Men Spit? -- _tThe Applicant's Wife's Renderingof the Facility Tour -- _tMethod -- _tSquall Line Stalling in a Memory of Rain -- _tRundown Ride -- _tEclipse on the Day of the Field Trip -- _tAn Errand -- _tAt Pauline's -- _tPart II -- _tLaw -- _tIt is unconquerable -- _tit has -- _tSummer Shower -- _tToggle -- _tRe-entry -- _tAdvent -- _tDialectic and Infusion
505	0	0	_a27 October. Dreary. -- _tPassage Through -- _tThe Meeting -- _tAway -- _tThe Clacklet -- _tThe Prints from Vacation Are Back -- _tDaylight -- _tFinal Moments, Summer School -- _tSwissed -- _tTrail -- _tPart III -- _tAccord -- _tThe Vacuum -- _tA Mile In -- _tMcCall's 8041 -- _tIn the Garden of Dr. Sun Yat-Sen -- _tOf -- _tEarly Cinematography -- _tBut All Energy Does Go Somewhere -- _tIndoor Tundra -- _tIn Which I Am Taken for a Ride -- _tMy Lifelong Relationship with God -- _tMy Neighbor's Maple -- _tMonday -- _tNow -- _tOcean -- _tNotes -- _tAcknowledgments
530			_a2 _ub
650		0	_aAmerican poetry.
650		0	_aBluebirds _vPoetry.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2488313&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90885 _d90885
902			_a1 _bCynthia Snell _c1 _dCynthia Snell