000 02917cam a2200385 i 4500
001 on1126350961
003 OCoLC
005 20240726105144.0
008 191029s2020 nyua ob 001 0 eng
010 _a2019049096
040 _aDLC
_beng
_erda
_cDLC
_dOCLCQ
_dOCLCF
_dOCLCO
_dNT
_dYDX
020 _a9781438478593
_q((electronic)l(electronic)ctronic)
042 _apcc
050 0 4 _aBH221
_b.A447 2020
049 _aMAIN
245 1 0 _aAmerican aesthetics :
_btheory and practice /
_cedited by Walter B. Gulick and Gary Slater.
260 _aAlbany :
_bState University of New York Press,
_c(c)2020.
300 _a1 online resource (xiii, 414 pages) :
_billustrations.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aSUNY series in American philosophy and cultural thought
504 _a2
520 0 _a"Although there are distinctly American artists-Walt Whitman, Herman Melville, Grandma Moses, Thomas Hart Benton, and Andy Warhol, for example-very little attention has been devoted to formulating any distinctively American characteristics of aesthetic judgment and practice. This volume takes a step in this direction, presenting an introductory essay on the possibility of such a distinctly American tradition, and a collection of essays exploring particular examples from a variety of angles. Some of the essays in this collection extend pragmatist and process insights about the important place aesthetics has in molding and assessing experience. Other essays examine the place of American aesthetics in relation to such particular forms of art as painting, literature, music, and film. Three essays attend to the aesthetic aspects of a flourishing life. In each of the essays, American aesthetics is understood to arise out of deeply felt personal, historical, and cultural backgrounds. Consequently, not only are such relatively abstract notions as harmony, fit, elegance, proportion, and the like involved in aesthetic judgment, but also religious, political, and social factors become embroiled in aesthetic discernment. Thus the ongoing pattern of American aesthetics is shown to be distinguishable from such other varieties of aesthetic thought as analytic aesthetics, New Criticism, and postmodern approaches to aesthetics"--
_cProvided by publisher.
530 _a2
_ub
650 0 _aAesthetics, American.
655 1 _aElectronic Books.
700 1 _aGulick, Walter B.,
_d1938-
_e5
700 1 _aSlater, Gary,
_d1983-
_e5
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2478386&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hBH.
_m2020
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c90863
_d90863
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell