000 | 02958cam a2200385 i 4500 | ||
---|---|---|---|
001 | on1152416590 | ||
003 | OCoLC | ||
005 | 20240726105143.0 | ||
008 | 200420s2021 nyuab ob 001 0 eng | ||
010 | _a2020016739 | ||
040 |
_aDLC _beng _erda _cDLC _dOCLCQ _dOCLCF _dRECBK _dOCLCO _dYDX _dNT _dOCLCO _dOWS _dJSTOR |
||
020 |
_a9780231551748 _q((electronic)l(electronic)ctronic) |
||
042 | _apcc | ||
043 | _aa-cc--- | ||
050 | 0 | 4 |
_aNK1068 _b.K564 2021 |
049 | _aMAIN | ||
100 | 1 |
_aMiller, Allison R., _e1 |
|
245 | 1 | 0 |
_aKingly splendor : _bcourt art and materiality in Han China / _cAllison R. Miller. |
300 |
_a1 online resource : _billustrations (some color), maps. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
490 | 1 | _aTang Center series in early China | |
504 | _a2 | ||
520 | 0 |
_a"The Western Han dynasty (202 BCE-9 CE) was a foundational period for the artistic culture of ancient China, a fact particularly visible in the era's funerary art. Iconic forms of Chinese art such as dazzling suits of jade; cavernous, rock-cut mountain tombs; fancifully ornate wall paintings; and armies of miniature terracotta warriors were prepared for the tombs of the elite during this period. Many of the finest objects of the Western Han have been excavated from the tombs of kings, who administered local provinces on behalf of the emperors. Allison R. Miller paints a new picture of elite art production by revealing the contributions of the kings to Western Han artistic culture. She demonstrates that the kings were not mere imitators of the imperial court but rather innovators, employing local materials and workshops and experimenting with new techniques to challenge the artistic hegemony of the imperial house. Tombs and funerary art, Miller contends, functioned as an important vehicle of political expression as kings strove to persuade the population and other elites of their legitimacy. Through case studies of five genres of royal art, Miller argues that the political structure of the early Western Han, with the emperor as one ruler among peers, benefited artistic production and innovation. Kingly Splendor brings together close readings of funerary art and architecture with nuanced analyses of political and institutional dynamics to provide an interdisciplinary revisionist history of the early Western Han"-- _cProvided by publisher. |
|
530 |
_a2 _ub |
||
650 | 0 |
_aFolk art _zChina. |
|
650 | 0 |
_aDecorative arts _zChina. |
|
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2453465&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hNK _m2021 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c90807 _d90807 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |