000 02958cam a2200385 i 4500
001 on1152416590
003 OCoLC
005 20240726105143.0
008 200420s2021 nyuab ob 001 0 eng
010 _a2020016739
040 _aDLC
_beng
_erda
_cDLC
_dOCLCQ
_dOCLCF
_dRECBK
_dOCLCO
_dYDX
_dNT
_dOCLCO
_dOWS
_dJSTOR
020 _a9780231551748
_q((electronic)l(electronic)ctronic)
042 _apcc
043 _aa-cc---
050 0 4 _aNK1068
_b.K564 2021
049 _aMAIN
100 1 _aMiller, Allison R.,
_e1
245 1 0 _aKingly splendor :
_bcourt art and materiality in Han China /
_cAllison R. Miller.
300 _a1 online resource :
_billustrations (some color), maps.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aTang Center series in early China
504 _a2
520 0 _a"The Western Han dynasty (202 BCE-9 CE) was a foundational period for the artistic culture of ancient China, a fact particularly visible in the era's funerary art. Iconic forms of Chinese art such as dazzling suits of jade; cavernous, rock-cut mountain tombs; fancifully ornate wall paintings; and armies of miniature terracotta warriors were prepared for the tombs of the elite during this period. Many of the finest objects of the Western Han have been excavated from the tombs of kings, who administered local provinces on behalf of the emperors. Allison R. Miller paints a new picture of elite art production by revealing the contributions of the kings to Western Han artistic culture. She demonstrates that the kings were not mere imitators of the imperial court but rather innovators, employing local materials and workshops and experimenting with new techniques to challenge the artistic hegemony of the imperial house. Tombs and funerary art, Miller contends, functioned as an important vehicle of political expression as kings strove to persuade the population and other elites of their legitimacy. Through case studies of five genres of royal art, Miller argues that the political structure of the early Western Han, with the emperor as one ruler among peers, benefited artistic production and innovation. Kingly Splendor brings together close readings of funerary art and architecture with nuanced analyses of political and institutional dynamics to provide an interdisciplinary revisionist history of the early Western Han"--
_cProvided by publisher.
530 _a2
_ub
650 0 _aFolk art
_zChina.
650 0 _aDecorative arts
_zChina.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2453465&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hNK
_m2021
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c90807
_d90807
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell