000			02213cam a2200349Ki 4500
001			on1152158868
003			OCoLC
005			20240726105143.0
008			200427s2020 ne a ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dEBLCP _dJSTOR
020			_a9789048533268 _q((electronic)l(electronic)ctronic)
020			_a9048533260 _q((electronic)l(electronic)ctronic)
050	0	4	_aN6916 _b.R477 2020
049			_aMAIN
100	1		_aMcTighe, Sheila, _e1
245	1	0	_aRepresenting from life in seventeenth-century Italy /Sheila McTighe.
260			_aAmsterdam : _bAmsterdam University Press, _c(c)2020.
300			_a1 online resource (251 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aVisual and material culture, 1300-1700 ; _v20
504			_a2
520	8		_aIn drawing or painting from live models and real landscapes, more was at stake for artists in early modern Italy than achieving greater naturalism. To work with the model in front of your eyes, and to retain their identity in the finished work of art, had an impact on concepts of artistry and authorship, the authority of the image as a source of knowledge, the boundaries between repetition and invention, and even the relation of images to words. This book focuses on artists who worked in Italy, both native Italians and migrants from northern Europe. The practice of depicting from life became a self-conscious departure from the norms of Italian arts. In the context of court culture in Rome and Florence, works by artists ranging from Caravaggio to Claude Lorrain, Pieter van Laer to Jacques Callot, reveal new aspects of their artistic practice and its critical implications.
530			_a2 _ub
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2453343&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hN _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90801 _d90801
902			_a1 _bCynthia Snell _c1 _dCynthia Snell