000			03075cam a2200433Mi 4500
001			on1198555340
003			OCoLC
005			20240726105142.0
008			200403s2020 ncu o 000 0 eng d
010			_z2020015417
040			_aP@U _beng _erda _cP@U _dYDX _dOCLCO _dNT _dTEFOD _dJSTOR
020			_a9781469660387 _q((electronic)l(electronic)ctronic)
020			_a9781469660370 _q((electronic)l(electronic)ctronic)
043			_an-us---
050	0	4	_aML3521 _b.W467 2020
049			_aMAIN
100	1		_aGussow, Adam, _e1
245	1	0	_aWhose Blues? _bFacing Up to Race and the Future of the Music / _cAdam Gussow.
260			_aChapel Hill : _bThe University of North Carolina Press, _c(c)2020.
260			_aBaltimore, Md. : _bProject MUSE, _c0000.
300			_a1 online resource (pages cm)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aStarting the conversation -- _tBlues conditions -- _tBlues feelings and "real blues men" -- _tBlues expressiveness and the blues ethos -- _tW.C. Handy and the "birth" of the blues -- _tLangston Hughes and the scandal of early blues poetry -- _tZora Neale Hurston in the Florida jooks -- _tRalph Ellison, Richard Wright, and the Southern blues violences -- _tThe blues revival and the black arts movement -- _tGiving it all away: blues harmonica education in the digital age -- _tTurnaround.
520	0		_a"Mamie Smith's pathbreaking 1920 recording of 'Crazy Blues' set the pop music world on fire, inaugurating a new African American market for 'race records.' Not long after, such records also brought black blues performance to an expanding international audience. A century later, the mainstream blues world has transformed into a multicultural and transnational melting pot, taking the music far beyond the black southern world of its origins. But not everybody is happy about that. If there's 'No black. No white. Just the blues,' as one familiar meme suggests, why do some blues people hear such pronouncements as an aggressive attempt at cultural appropriation and an erasure of traumatic histories that lie deep in the heart of the music? Then again, if 'blues is black music,' as some performers and critics insist, what should we make of the vibrant global blues scene, with its all-comers mix of nationalities and ethnicities?"-- _cProvided by publisher.
530			_a2 _ub
650		0	_aAfrican Americans _zUnited States _xMusic _xHistory and criticism.
650		0	_aMusic and race _zUnited States.
650		0	_aBlues (Music) _xHistory and criticism.
655		1	_aElectronic Books.
700	1		_aProject Muse. _edistributor.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2432681&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90739 _d90739
902			_a1 _bCynthia Snell _c1 _dCynthia Snell