000			03123cam a2200433 i 4500
001			on1129250397
003			OCoLC
005			20240726105141.0
008			191202s2020 onc ob 001 0 eng
040			_aNLC _beng _erda _cNLC _dOCLCF _dNT _dYDX _dNT _dEBLCP _dJSTOR _dYDX
015			_a20190240776 _2can
020			_a9781487535094 _qEPUB
020			_a9781487535087 _q((electronic)l(electronic)ctronic)
042			_alac
043			_ae-it---
050	0	4	_aPQ4090 _b.R544 2020
049			_aMAIN
100	1		_aLucamante, Stefania, _e1
245	1	0	_aRighteous anger in contemporary Italian literary and cinematic narratives /Stefania Lucamante.
260			_aToronto ; _aBuffalo ; _aLondon : _bUniversity of Toronto Press, _c(c)2020.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aToronto Italian studies
504			_a2
505	0	0	_aPasolini's La rabbia and the Spectacularization of Scarpa's Posthuman Aesthetics -- _tAn Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader -- _tThe Fundamental Things in Life According to Scarpa -- _tMelania Mazzucco's Un giorno perfetto: Domestic Violence on an Everyday Perfect Day -- _tPushing Boundaries: Road Movies and Gas Stations in Monica Stambrini's Benzina -- _tA Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love -- _tSociety, Simulacra, and Love: Simona Vinci's Stanza 411 -- _tWounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini's Sangue di Cane.
520	0		_a"Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion--particularly indignation--and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustices, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces."-- _cProvided by publisher.
530			_a2 _ub
650		0	_aItalian fiction _y21st century _xHistory and criticism.
650		0	_aMotion pictures _zItaly _xHistory _y21st century.
650		0	_aAnger in literature.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2422550&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPQ _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90721 _d90721
902			_a1 _bCynthia Snell _c1 _dCynthia Snell