000 | 03979cam a2200409 i 4500 | ||
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001 | on1112130048 | ||
003 | OCoLC | ||
005 | 20240726105141.0 | ||
008 | 190806s2020 waua ob s001 0 eng | ||
010 | _a2019034389 | ||
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_aDLC _beng _erda _cDLC _dOCLCO _dOCLCF _dNT _dYDX _dJSTOR _dYDX |
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020 |
_a9780295746845 _q((electronic)l(electronic)ctronic) |
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042 | _apcc | ||
043 | _aa-ja--- | ||
050 | 0 | 4 |
_aN7359 _b.Y864 2020 |
049 | _aMAIN | ||
100 | 1 |
_aNaoi, Nozomi, _e1 |
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245 | 1 | 0 |
_aYumeji modern : _bdesigning the everyday in twentieth-century Japan / _cNozomi Naoi. |
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_aSeattle : _bUniversity of Washington Press, _c(c)2020. |
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_a1 online resource (xiii, 286 pages) : _billustrations (some color) |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aThe Modern Beauty and the Yumeji Style -- _tThe Socialist Platform: Yumeji as Illustrator -- _tReproducing the Reproducible: Yumeji and Mass Media -- _tCreating an Alternative Space for the Print Medium:The Yumeji School and Tsukuhae Artists -- _tThe World Turned Upside Down: Yumeji and the Great Kantō Earthquake -- _tEpilogue -- _tAppendix 1: Akita Ujaku, "Takehisa Yumeji Memorial: Flowers of Grief" (1934) -- _tAppendix 2: Nakamura Seiko (with comments by Shimamura Hōgetsu), "Yumeji's Young Days" (1962) -- _tAppendix 3: Takehisa Yumeji, Preface to Yumeji Collection of Works: Spring Volume(1910) -- _tAppendix 4: Onchi Kōshirō, "Critique on Yumeji Collection of Works: Spring Volume (1910) -- _tAppendix 5: Takehisa Yumeji, Commentary on Illustrations in Yumeji Collection of Works: Summer Volume (1910) -- _tAppendix 6: Takehisa Yumeji, "Sketches of the Tokyo Disaster" (1923). |
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_a"Beyond the Modern Beauty is a holistic study of Takehisa Yumeji's (1884-1934) artistry that attempts to unify and understand the multiple discursive and social frameworks within which his images were animated with meaning. The book situates Yumeji's graphic art within the emerging mediascape of the 1900s and 1910s, when novel forms of reprographic media were enabling the creation of new spaces of visual culture and image circulation. Yumeji's graphic works developed in tandem with this quickly evolving sphere and ranged from illustrations in socialist bulletins with images of anti-war and leftist sentiment to fashionable images of beautiful women referred to as "Yumeji-style beauties" in books and magazines targeting a female audience. As such, Yumeji's works circulated widely and reveal his role in the cultivation of a new demographic of young female consumers, along with the reinvention of the woodblock medium from its centuries-long tradition of "floating-world pictures" (ukiyo-e) into a technically diverse vehicle of visual culture and avant-garde pictorialism. The book addresses Yumeji's art from the start of his career in 1905 to the 1920s, when his production of graphic works was the most prolific. The appendix introduces for the first time in English translation a substantial body of Yumeji's texts, including diary entries, poetry, essays, books, collection of works, and commentary alongside his illustrations. Commentaries and critiques by his contemporaries are also included and are translated for the first time"-- _cProvided by publisher. |
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_a2 _ub |
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_aTakehisa, Yumeji, _d1884-1934 _xCriticism and interpretation. |
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_aArt and society _zJapan _xHistory _y20th century. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aTakehisa, Yumeji, _d1884-1934. |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2421331&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hN. _m2020 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c90720 _d90720 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |