000 | 02810cam a2200397Ki 4500 | ||
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001 | on1147875148 | ||
003 | OCoLC | ||
005 | 20240726105141.0 | ||
008 | 200331s2019 stka ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dYDX |
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020 |
_a9781474417310 _q((electronic)l(electronic)ctronic) |
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043 | _an-us--- | ||
050 | 0 | 4 |
_aPS3525 _b.M634 2019 |
049 | _aMAIN | ||
100 | 1 |
_aBazin, Victoria, _e1 |
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245 | 1 | 0 |
_aModernism edited : _bMarianne Moore and the Dial magazine / _cVictoria Bazin. |
260 |
_aEdinburgh : _bEdinburgh University Press, _c(c)2019. |
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300 |
_a1 online resource (x, 259 pages) : _billustrations. |
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336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aEdinburgh critical studies in modernist culture | |
504 | _a2 | ||
505 | 0 | 0 | _aIntroduction; 1. The Social Production of Modernism; 2. Editorial Agency: Performing `Miss Moore'; 3. Promotional Prose and Critical Comments; 4. Hart Crane Distilled; 5. Modernists Edited: Joyce, Stein, Lawrence and Rosenfeld; 6. Periodical Form and the Dialogics of Gender; 7. Poetic `Struggle' as Modernist Production; Index. |
520 | 0 | _aAs editor of the "Dial," Moore wielded considerable cultural authority in the world of arts and letters, yet cultural histories of modernist magazines have largely overlooked her editorial influence. This book makes visible Moore's contribution to the production of modernism even as it complicates the concept of editorial agency. It explores the public face of the modernist editor, the image of highbrow distinction circulated by the "Dial" and embodied by the figure of "Miss Moore." It also examines Moore's editorial practice as a form of modernist "contractility" drawing on her own poetics to understand more fully the motives underpinning her revisions. it returns to the well-known case of Moore's radical cuts to Hart Crane's poem "The WIne Menagerie" as well as instances of collaborative struggle with William Carlos Williams, Gertrude Stein, Paul Rosenfeld, and D.H. Lawrence. In doing so, the book conceptualizes editorial labor as a form of creative and critical social practice. | |
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_a2 _ub |
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600 | 1 | 0 |
_aMoore, Marianne, _d1887-1972. |
600 | 1 | 0 |
_aMoore, Marianne, _d1887-1972 _xCriticism and interpretation. |
650 | 0 |
_aModernism (Literature) _zUnited States. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2409421&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPS. _m2019 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c90695 _d90695 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |