000 | 03349cam a2200493 i 4500 | ||
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001 | on1142189959 | ||
003 | OCoLC | ||
005 | 20240726105139.0 | ||
008 | 200228t20192019ne a ob 001 0 eng d | ||
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_aNT _beng _erda _epn _cNT _dNT _dJSTOR _dEBLCP _dUKAHL _dOCLCQ _dDEGRU _dOCLCF _dMM9 _dWAU |
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_a9789048535873 _q((electronic)l(electronic)ctronic) |
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020 |
_a9048535875 _q((electronic)l(electronic)ctronic) |
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_ae------ _an-mx--- |
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050 | 0 | 4 |
_aNK1330 _b.O763 2019 |
049 | _aMAIN | ||
245 | 1 | 0 | _aOrnament and monstrosity in early modern art /edited by Chris Askholt Hammeken and Maria Fabricius Hansen. |
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_aAmsterdam : _bAmsterdam University Press, _c(c)2019. |
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_a1 online resource (281 pages) : _billustrations (chiefly color) |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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388 | 1 |
_aSixteenth century _2lcsh |
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490 | 1 |
_aVisual and material culture ; _v13 |
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505 | 0 | 0 |
_tAmbiguous delights : ornamental grotesques and femaile monstrosity in sixteenth-century Italy / _rMaria Fabricius Hansen -- _tDissonant symphonies : the Villa d'Este in Tivoli and the grotesque / _rLuke Morgan -- _tOutside-in : the intrusion of ornament into sacred narrative / _rTianna Helena Uchacz -- _t'That savage should mate with tame' : hybridity, indeterminacy, and the grotesque in the murals of San Miguel Arcángel (Ixmiquilpan, Mexico) / _rBarnaby Nygren -- _tDecoration in the desert : unsettling the order of architecture in the Certosa di San Martino / _rMaria-Anna Aristova -- _tMasquing/(un)masking : animation and the restless ornament of Fontainebleau / _rLisa Andersen -- _tSea-change : the whale in the Florentine Loggia / _rChris Askholt Hammeken -- _tOrnament and agency : Vico's poetic monsters / _rFrances Connelly -- _tTrafficking the body : prolegomena to posthumanist theory of ornament to monstrosity / _rJacob Wamberg. |
520 | 0 | _aEarly modern art features a remarkable fascination with ornament, both as decorative device and compositional strategy, across artistic media and genres. Interestingly, the inventive, elegant manifestations of ornament in the art of the period often include layers of disquieting paradoxes, creating tensions -- | |
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_a2 _ub |
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650 | 0 |
_aDecoration and ornament _zEurope _y16th century _xThemes, motives. |
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650 | 0 |
_aDecoration and ornament _zMexico _zIxmiquilpan _y16th century _xThemes, motives. |
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650 | 0 |
_aArt, European _y16th century _xThemes, motives. |
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650 | 0 |
_aArt _zEurope _y16th century _xThemes, motives. |
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650 | 0 |
_aMural painting and decoration, Mexican _y16th century _xThemes, motives. |
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650 | 0 |
_aMural painting and decoration _zMexico _zIxmiquilpan _y16th century _xThemes, motives. |
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650 | 0 | _aMonsters in art. | |
650 | 0 | _aGrotesque in art. | |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aHammeken, Chris Askholt, _e5 |
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700 | 1 |
_aHansen, Maria Fabricius, _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2380529&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hNK _m2019 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c90580 _d90580 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |