000 | 03044cam a2200505Ki 4500 | ||
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001 | on1237409964 | ||
003 | OCoLC | ||
005 | 20240726105137.0 | ||
008 | 210213t20212021nyu o 000 0 eng d | ||
040 |
_aEBLCP _beng _erda _cEBLCP _dJSTOR _dOCLCO _dOCLCF _dP@U _dOCLCO _dCDS _dDEGRU _dNT _dYDX |
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020 |
_a9780823289134 _q((electronic)l(electronic)ctronic) |
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043 | _as-bl--- | ||
050 | 0 | 4 |
_aN6655 _b.F676 2021 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aForm and feeling : _bthe making of concretism in Brazil / _cAntonio Sergiuo Bessa, editor. |
250 | _aFirst edition. | ||
300 | _a1 online resource | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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_aCover -- _tFORM AND FEELING -- _tTitle -- _tCopyright -- _tCONTENTS -- _tPosteverything-An Introduction -- _tI -- _t1. Architectural Mechanisms and Body Techniques: The Experiências of Flávio de Carvalho -- _t2. Form and Sensibility: Discursive Discrepancies in Concrete and Neoconcrete Art -- _t3. The Bauhaus in Brazil: Pedagogy and Practice -- _t4. Grundlehre at the Ulm School of Design: A Survey of Basic Design Teaching -- _t5. Twisting the Modernist Curve: Mary Vieira's Polyvolume: Meeting Point -- _t6. Lina Bo Bardi and the Creation of the School of Visual Arts in Parque Lage -- _tII |
505 | 0 | 0 |
_a7. Tropical Reason: The Making of a Counterculture in Brazil -- _t8. Epidermal and Visceral Works: Lygia Pape and Anna Maria Maiolino -- _t9. Word-Drool: The Constructive Secretions of Lygia Clark -- _t10. Emil Forman: Removing the Silence of Things -- _t11. The Funeral of Brazilian Modernism: Glauber Rocha and the Death of Di Cavalcanti -- _tIII -- _t12. Favela Noh: Haroldo de Campos and Hélio Oiticica at the Chelsea Hotel -- _t13. Retrieval of the Unreadable: Arno Holz and Sousândrade Revisited by Augusto and Haroldo de Campos |
505 | 0 | 0 |
_a14. The Wanderer, the Earth: Nature and History in the Work of Sousândrade and Paulo Nazareth -- _tAcknowledgments -- _tList of Contributors -- _tIndex |
520 | 0 | _aA significant contribution on the development and aftermath of post-World War II Concretism in Brazil. | |
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_a2 _ub |
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650 | 0 |
_aConcrete art _zBrazil. |
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650 | 0 |
_aArt, Brazilian _y20th century. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aBessa, Antonio Sergio, _e5 |
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700 | 1 | _aAsbury, Michael. | |
700 | 1 | _aCalirman, Claudia. | |
700 | 1 | _aCoelho, Frederico Oliveira. | |
700 | 1 | _aMello, Simone Homem de. | |
700 | 1 | _aGonçalves, Marcos. | |
700 | 1 | _aLira, José. | |
700 | 1 | _aLopes, Fernanda. | |
700 | 1 | _aMäntele, Martin. | |
700 | 1 | _aNelson, Adele. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2359511&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hN.. _m2021 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c90492 _d90492 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |