000			03227cam a22004458i 4500
001			on1170757213
003			OCoLC
005			20240726105137.0
008			190806s2020 wau ob s001 0 eng
010			_a2019981446
040			_aDLC _beng _erda _cDLC _dOCLCF _dLUN _dOCLCO _dOCL _dUAB _dYDX _dNT _dJSTOR _dCNO _dVVJ _dGZM
020			_a9780295746654 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_an-us---
050	0	0	_aPS153 _b.S538 2020
049			_aMAIN
100	1		_aSaal, Ilka, _e1
245	1	0	_aSlavery and the post-black imagination /edited by Bertram D. Ashe and Ilka Saal.
250			_afirst.
260			_aSeattle : _bUniversity of Washington Press, _c(c)2020.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aThe Blackest Blackness: Slavery and the Satire of Kara Walker / _rDerek Conrad Murray -- _tThree-Fifths of a Black Life Matters Too: Four Neo-Slave Novels from the Year 'Post-Racial' Definitively Stopped Being a Thing / _rDerek C. Maus -- _tWhispering Racism in a Post-Racial World: Slavery and Postblackness in Paul Beatty's The Sellout / _rCameron Leader-Picone -- _tGetting Graphic with Kindred: The Neo-Slave Narrative of the Black Lives Matter Movement / _rMollie A. Godfrey -- _t"Stay Woke:" Post-Black Filmmaking and the Afterlife of Slavery in Jordan Peele's Get Out / _rKimberly Nichele Brown -- _tThe Song: Living with "Dixie" and the "Coon Space" of Post-Blackness / _rChenjerai Kumanyika, Jack Hitt, and Chris Neary, with an introduction by Bertram D. Ashe -- _tPerforming Slavery at the Turn of the Millennium: Stereotypes, Affect, and Theatricality in Branden Jacobs-Jenkins's Neighbors and Young Jean Lee's The Shipment / _rIlka Saal -- _tThylias Moss's Slave Moth: Liberatory Verse Narrative and Performance Art / _rMalin Pereira -- _tPlantation Memories: Cheryl Dunye's Representation of a Representation of American Slavery in The Watermelon Woman / _rBertram D. Ashe -- _t"An Audience is a Mob on its Butt": Interview with Branden Jacobs-Jenkins / _rBertram D. Ashe and Ilka Saal.
520	0		_a"Slavery and the Post-Black Imagination brings the provocative category of post-blackness to bear on the past 30 years of artistic exploration into the afterlife of slavery as it continues to manifest in the United States. The selected essays cut across a broad spectrum of artistic media and genres -- _cProvided by publisher.
530			_a2 _ub
650		0	_aAmerican literature _xAfrican American authors _xHistory and criticism.
650		0	_aAmerican literature _y21st century _xHistory and criticism.
650		0	_aSlavery in literature.
650		0	_aSlavery in mass media.
655		1	_aElectronic Books.
700	1		_aAshe, Bertram D., _d1959- _e1
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2335830&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPS. _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90453 _d90453
902			_a1 _bCynthia Snell _c1 _dCynthia Snell