000			02174cam a2200361Ii 4500
001			on1163631799
003			OCoLC
005			20240726105137.0
008			200706s2020 be ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT _dEBLCP _dJSTOR _dUKAHL
020			_a9789461663313 _q((electronic)l(electronic)ctronic)
020			_a9461663315 _q((electronic)l(electronic)ctronic)
050	0	4	_aML3830 _b.P474 2020
049			_aMAIN
245	1	0	_aPerformance, subjectivity, and experimentation /edited by Catherine Laws.
260			_aLeuven : _bLeuven University Press, _c(c)2020.
300			_a1 online resource (260 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aOrpheus Institute series
504			_a2
520	8		_aMusic reflects subjectivity and identity: that idea is now deeply ingrained in both musicology and popular media commentary. The study of music across cultures and practices often addresses the enactment of subjectivity in music, how music expresses or represents an individual or a group. However, a sense of selfhood is also formed and continually reformed through musical practices, not least performance. How does this take place? How might the work of practitioners reveal aspects of this process? In what sense is subjectivity performed in and through musical practices? This book explores these questions in relation to a range of artistic research involving contemporary musical practices, drawing on perspectives from performance studies, phenomenology, embodied cognition, and theories of gendered and cultural identity.
530			_a2 _ub
650		0	_aSubjectivity in music.
655		1	_aElectronic Books.
700	1		_aLaws, Catherine, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2333512&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90449 _d90449
902			_a1 _bCynthia Snell _c1 _dCynthia Snell