000 | 03510cam a2200445 i 4500 | ||
---|---|---|---|
001 | on1122919045 | ||
003 | OCoLC | ||
005 | 20240726105134.0 | ||
008 | 191019s2019 txu ob 001 0 eng d | ||
040 |
_aEBLCP _beng _epn _erda _cEBLCP _dOCLCQ _dEBLCP _dOCLCQ _dNT _dYDX _dOCLCO _dOCL _dOCLCQ _dOCLCO _dIU0 _dAFU _dNRC _dJSTOR |
||
020 |
_a9781477319406 _q((electronic)l(electronic)ctronic) |
||
050 | 0 | 4 |
_aPN1997 _b.C665 2019 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aComics and Pop Culture : _bAdaptation from Panel to Frame / _cedited by Barry Keith Grant and Scott Henderson |
260 |
_aAustin : _bUniversity of Texas Press, _c(c)2019. |
||
300 | _a1 online resource (xiv, 330 pages) | ||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
504 | _a2 | ||
505 | 0 | 0 | _aIntro; Acknowledgments; Introduction (Barry Keith Grant and Scott Henderson); Part One. Issues and Debates; The Crossroads of Infinity, or Universum Incognitum (Scott Bukatman); From Adaptation to Extension: A History of Comics Adapting Films, 1976-2015 (Blair Davis); Take the Movie Home! How the Comic Book Tie-In Anticipated Transmedia Production (Liam Burke); Manga, Anime, Adaptation: Economic Strategies, Aesthetic Specificities, Social Issues (Chris Reyns-Chikuma); Genre and Superhero Cinema (Aaron Taylor) |
505 | 0 | 0 | _aDestroying the Rainbow Bridge: Representations of Heterosexuality in Marvel Superhero Narratives (Miriam Kent); Mutatis Mutandis: Constructing Fidelity in the Comic Book Film Adaptation (Jason Rothery and Benjamin Woo); "We Roller Coaster Through . . .": Screenwriting, Narrative Economy, and the Inscription of the Haptic in Tentpole Comic Book Movies (Julian Hoxter); Adaptation and Seriality: Comic Book to Television Series Adaptations (Sherryl Vint); Part Two. Panels and Frames; Felix in-and out of-Space (J.P. Telotte) |
505 | 0 | 0 | _aA Comic Book Life/Style: World Building in American Splendor (Matt Yockey); The Extraordinary Career of Modesty Blaise (James Chapman); Authenticity and Judge Dredd on Film (J. Mark Percival); CGI as Adaptation Strategy: Can a Digitally Constructed Spider-Man Do Whatever a Hand-Drawn Spider-Man Can? (James C. Taylor); Scott Pilgrim's Precious Little Texts: Adaptation, Form, and Transmedia Co-creation (John Bodner); Transmedia Adaptation and Writing in the Margins: A Graphic Expansion of George Romero's Night of the Living Dead (Aviva Briefel) |
505 | 0 | 0 | _aAgency and Intertextuality: Tank Girl, Subcultural Aesthetics, and the Strong Female Protagonist (Scott Henderson); Black Panther: Aspiration, Identification, and Appropriation (Jeffrey A. Brown); Contributors; Index |
530 |
_a2 _ub |
||
650 | 0 |
_aFilm adaptations _xHistory and criticism. |
|
650 | 0 | _aComic strip characters in motion pictures. | |
650 | 0 | _aComic strip characters on television. | |
650 | 0 |
_aComic books, strips, etc. _xFilm adaptations. |
|
650 | 0 | _aMotion pictures and comic books. | |
650 | 0 | _aMass media and culture. | |
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aGrant, Barry Keith, _5 |
|
700 | 1 |
_aHenderson, Scott, _5 |
|
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2268907&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN. _m2019 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c90262 _d90262 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |