000			03422cam a2200469 i 4500
001			on1121453306
003			OCoLC
005			20240726105133.0
008			190607s2019 maua ob s001 0 eng
010			_a2021693138
040			_aDLC _beng _erda _epn _cDLC _dYDX _dP@U _dUBY _dEBLCP _dDKU _dNT
020			_a9781613766958 _q((electronic)l(electronic)ctronic)
020			_a9781613766941 _q((electronic)l(electronic)ctronic)
043			_ae-gx--- _ae-ge--- _ae-gw--- _an-us---
050	0	0	_aDD900 _b.C668 2019
049			_aMAIN
100	1		_aConway, Mike, _d1961- _e1
245	1	0	_aContested ground : _bThe Tunnel and the struggle over television news in Cold War America / _cMike Conway.
260			_aAmherst : _bUniversity of Massachusetts Press, _c(c)2019.
300			_a1 online resource (x, 268 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aCulture and politics in the Cold War and beyond
520	0		_a"In 1962, an innovative documentary on a Berlin Wall tunnel escape brought condemnation from both sides of the Iron Curtain during one of the most volatile periods of the Cold War. The Tunnel, produced by NBC's Reuven Frank, clocked in at ninety minutes and prompted a range of strong reactions. While the television industry ultimately awarded the program three Emmys, the U.S. Department of State pressured NBC to cancel the program, and print journalists criticized the network for what they considered to be a blatant disregard of journalistic ethics. It was not just The Tunnel's subject matter that sparked controversy, but the medium itself. The surprisingly fast ascendance of television news as the country's top choice for information threatened the self-defined supremacy of print journalism and the de facto cooperation of government officials and reporters on Cold War issues. In Contested Ground, Mike Conway argues that the production and reception of television news and documentaries during this period reveals a major upheaval in American news communications"-- _cProvided by publisher.
504			_a2
505	0	0	_aCaptured on Film: A Daring Escape from a Divided Berlin -- _tParallel Paths: Television, the Cold War, and Reuven Frank -- _tThe Transmission of Experience -- _tJournalist vs. Filmmaker: The Tunnel and the Elusive Definition of Documentary Films -- _tAdventurous Laymen: Print vs. Broadcast in Journalism Boundary Work -- _t"The Necessary Restraints of National Security" -- _tEpilogue.
530			_a2 _ub
630	0	0	_aTunnel (Television program)
610	2	0	_aNational Broadcasting Company _xHistory _y20th century.
650		0	_aBerlin Wall, Berlin, Germany, 1961-1989.
650		0	_aEscapes _zGermany _zBerlin _xHistory _y20th century.
650		0	_aEscapes _zGermany (East) _xHistory.
650		0	_aDocumentary television programs _zUnited States _xHistory _y20th century.
650		0	_aTelevision broadcasting of news _xPolitical aspects _zUnited States.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2260228&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hDD _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90220 _d90220
902			_a1 _bCynthia Snell _c1 _dCynthia Snell