000			04345cam a2200457 i 4500
001			on1106526008
003			OCoLC
005			20240726105128.0
008			190701s2019 nbu ob 001 0 eng d
010			_a2019005333
040			_aNT _beng _erda _epn _cNT _dNT _dP@U _dYDXIT _dEBLCP _dOCLCF _dJSTOR _dUKAHL _dOTZ _dOCLCQ _dSFB _dOCLCQ _dUX1 _dOCLCO _dIBI
020			_a9781496218087 _q((electronic)l(electronic)ctronic)
020			_a9781496218070 _q((electronic)l(electronic)ctronic)
020			_a9781496218063 _q((electronic)l(electronic)ctronic)
043			_an------
050	0	4	_aE77 _b.N385 2019
049			_aMAIN
100	1		_aVizenor, Gerald Robert, _d1934- _e1
245	1	0	_aNative provenance : _bthe betrayal of cultural creativity / _cGerald Vizenor.
260			_aLincoln, Nebraska : _bUniversity of Nebraska Press, _c(c)2019.
300			_a1 online resource (199 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
520	0		_aGerald Vizenor's Native Provenance challenges readers to consider the subtle ironies at the heart of Native American culture and oral traditions such as creation and trickster stories and dream songs. A respected authority in the study of Native American literature and intellectual history, Vizenor believes that the protean nature of many creation stories, with their tease and weave of ironic gestures, was lost or obfuscated in inferior translations by scholars and cultural connoisseurs, and as a result the underlying theories and presuppositions of these renditions persist in popular literature and culture. Native Provenance explores more than two centuries of such betrayal of native creativity. With erudite and sweeping virtuosity, Vizenor examines how ethnographers and others converted the inherent confidence of native stories into uneasy sentiments of victimry. He explores the connection between Native Americans and Jews through gossip theory and strategies of cultural survivance, and between natural motion and ordinary practices of survivance. Other topics include the unique element of native liberty inherent in artistic milieus; the genre of visionary narratives of resistance; and the notions of historical absence, cultural nihilism, and victimry. Native Provenance is a tour de force of Native American cultural criticism ranging widely across the terrains of the artistic, literary, philosophical, linguistic, historical, ethnographic, and sociological aspects of interpreting native stories. Native Provenance is rife with poignant and original observations and is essential reading for anyone interested in Native American cultures and literature.
505	0	0	_aGossip theory : native irony and the betrayal of earthdivers -- _tSurvivance and liberty : turns and stays of native sovereignty -- _tNative transmotion : totemic motion and traces of survivance -- _tNatives of the progressive era : Luther Standing Bear and Karl May -- _tExpeditions in France : Native Americans in the First World War -- _tVisionary sovereignty : treaty reservations and the occupation of Japan -- _tCosmototemic art : natural motion in totemic and visionary art -- _tNative nouveau roman : dead end simulations of tragic victimry -- _tTime warp provenance : Heye obsessions and Custer portrayals -- _tTrickster hermeneutics : Naanabozho curiosa and mongrel chauffeurs -- _tContinental liberty : the spirit of Chief Joseph and Dane White -- _tPretense of sovereignty : William Lawrence and the Ojibwe news.
530			_a2 _ub
650		0	_aIndians of North America _xFolklore _xHistory and criticism.
650		0	_aIndian literature _xHistory and criticism.
650		0	_aIndians of North America _xIntellectual life.
650		0	_aIndians of North America _xColonization.
650		0	_aIndians of North America _xSocial life and customs.
650		0	_aIndian literature _zNorth America.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2177563&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hE _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c90011 _d90011
902			_a1 _bCynthia Snell _c1 _dCynthia Snell