000			03124cam a2200373Ii 4500
001			on1104843915
003			OCoLC
005			20240726105128.0
008			190618t20192019stka obq 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT _dYDX _dEBLCP _dUKMGB _dOCLCQ _dCAMBR _dSFB _dUKAHL _dOCLCQ _dLUN _dUWK _dMM9 _dORE _dORZ _dOCLCQ _dOCLCO _dJSTOR
015			_aGBB9C0377 _2bnb
016	7		_a019447221 _2Uk
020			_a9781474435376 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.L473 2019
049			_aMAIN
100	1		_aBradbury-Rance, Clara, _e1
245	1	0	_aLesbian cinema after queer theory /Clara Bradbury-Rance.
260			_aEdinburgh : _bEdinburgh University Press, _c(c)2019.
300			_a1 online resource (xiv, 194 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntro; Lesbian Cinema after Queer Theory; Copyright; Contents; List of Figures; Acknowledgements; Preface; Introduction: Looking after Lesbian Cinema; 1 The Woman (Doubled): Mulholland Drive and the Figure of the Lesbian; 2 Merely Queer: Translating Desire in Nathalie ... and Chloe; 3 Anywhere in the World: Circumstance, Space and the Desire for Outness; 4 In-between Touch: Queer Potential in Water Lilies and She Monkeys; 5 The Politics of the Image: Sex as Sexuality in Blue Is the Warmest Colour; 6 Looking at Carol: The Drift of New Queer Pleasures; Conclusion: The Queerness of Lesbian Cinema; Notes; Filmography; Bibliography; Index.
520	0		_aThe unprecedented increase in lesbian representation over the past two decades has, paradoxically, coincided with queer theory's radical transformation of the study of sexuality. In Lesbian Cinema after Queer Theory, Clara Bradbury-Rance argues that this contradictory context has yielded new kinds of cinematic language through which to give desire visual form. By offering close readings of key contemporary films such as Blue Is the Warmest Colour, Water Lilies and Carol alongside a broader filmography encompassing over 300 other films released between 1927 and 2018, the book provokes new ways of understanding a changing field of representation. Bradbury-Rance resists charting a narrative of representational progress or shoring up the lesbian's categorisation in the newly available terms of the visible. Instead, she argues for a feminist framework that can understand lesbianism's queerness. Drawing on a provocative theoretical and visual corpus, Lesbian Cinema after Queer Theory reveals the conditions of lesbian legibility in the twenty-first century.
530			_a2 _ub
650		0	_aLesbians in motion pictures.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2165665&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89979 _d89979
902			_a1 _bCynthia Snell _c1 _dCynthia Snell