000			03914cam a2200385Mi 4500
001			on1129150823
003			OCoLC
005			20240726105126.0
008			191126s2018 nyu fod z000 0 eng d
040			_aDEGRU _beng _erda _epn _cDEGRU _dOCLCQ _dS2H _dOCLCO _dYDX _dJSTOR _dOCLCF _dLVT _dAU@ _dUKAHL _dEBLCP _dNT _dESU _dMM9
020			_a9781501727009
050	0	4	_aPG3476 _b.S264 2018
049			_aMAIN
100	1		_aCiepiela, Catherine, _4aut _4http://id.loc.gov/vocabulary/relators/aut _e1
245	1	0	_aThe Same Solitude : _bBoris Pasternak and Marina Tsvetaeva / _cCatherine Ciepiela.
260			_aIthaca, NY : _bCornell University Press, _c(c)2018.
300			_a1 online resource (320 pages) : _b16 halftones
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Editorial Method -- _tIntroduction -- _tI. The Girl Muse -- _t2. The Boy Poet -- _t3. The Romance of Distance (I922-I925) -- _t4. Lyricism and History (1926) -- _t5. The End of the End (I926-I935) -- _tConclusion -- _tAppendix -- _tNotes -- _tIndex
520	0		_a"Still, we have the same solitude, the same journeys and searching, and the same favorite turns in the labyrinth of literature and history."--Boris Pasternak to Marina TsvetaevaOne of the most compelling episodes of twentieth-century Russian literature involves the epistolary romance that blossomed between the modernist poets Marina Tsvetaeva and Boris Pasternak in the 1920s. Only weeks after Tsvetaeva emigrated from Russia in 1922, Pasternak discovered her poetry and sent her a letter of praise and admiration. Tsvetaeva's enthusiastic response began a decade-long affair, conducted entirely through letters. This correspondence-written across the widening divide separating Soviet Russia from Russian émigrés in continental Europe-offers a view into the overlapping worlds of literary creativity, sexual identity, and political affiliation. Following both sides of their conversation, Catherine Ciepiela charts the poets' changing relations to each other, to the extraordinary political events of the period, and to literature itself. The Same Solitude presents the first full account of this affair of letters and poems from its beginning in the summer of 1922 to its denouement in the 1930s. Drawing on many previously untranslated letters and poems, Ciepiela describes the poets' mutual influence, both in the course of their lives and the development of their art. Neither poet saw any separation between a poet's life and work, and Ciepiela treats each poet's letters and poems as a single text. She discusses the poets' famous triangular correspondence with Rainer Maria Rilke in 1926, and she addresses the profound significance of Tsvetaeva for Pasternak, who is often perceived (mistakenly, Ciepiela asserts) as the more detached partner. Further, this book expands our understanding of poetic modernism by showing how the poets worked through ideas about gender and writing in the context of what they themselves called a literary "marriage."
530			_a2 _ub
600	1	0	_aPasternak, Boris Leonidovich, _d1890-1960 _xCriticism and interpretation.
600	1	0	_aT︠S︡vetaeva, Marina, _d1892-1941 _xCriticism and interpretation.
600	1	1	_aPasternak, Boris Leonidovich, _d1890-1960 _xCriticism and interpretation.
600	1	1	_aT︠S︡vetaeva, Marina, _d1892-1941 _xCriticism and interpretation.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2135577&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPG. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89901 _d89901
902			_a1 _bCynthia Snell _c1 _dCynthia Snell