000 | 03161cam a2200409Ii 4500 | ||
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001 | on1101173720 | ||
003 | OCoLC | ||
005 | 20240726105126.0 | ||
008 | 190514t20192019enka ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dUKMGB _dOCLCF _dEBLCP _dUKAHL _dYDX _dOCLCQ _dAUD _dOSU _dJSTOR |
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015 |
_aGBB956798 _2bnb |
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016 | 7 |
_a019327712 _2Uk |
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020 |
_a9781526133151 _q((electronic)l(electronic)ctronic) |
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043 | _ae-fr--- | ||
050 | 0 | 4 |
_aPN1990-1997 _b.F746 2019 |
049 | _aMAIN | ||
245 | 1 | 0 | _aFrench literature on screen /edited by Homer B. Pettey and R. Barton Palmer |
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_aManchester : _bManchester University Press, _c(c)2019. |
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_a1 online resource (xiii, 250 pages) : _billustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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520 | 8 | _aThis collection presents new essays in the complex field of French literary adaptation. Using a variety of textual and interpretive approaches, it sheds light on issues of gender, sexuality, class, politics and social conventions while acknowledging a range of contexts, from the commercial to the archival and the aesthetic. The chapters, written by eminent international scholars, run chronologically from The Count of Monte Cristo through Proust and Bonjour, Tristesse to Philippe Djian's Oh. (adapted for the screen as Elle). Collectively, they fill a need for contemporary discussions on the significance of France's literary representations in the history of global cinema | |
504 | _a1 and index | ||
505 | 0 | 0 |
_aIntroduction: screening French literature / _rHomer B. Pettey and R. Barton Palmer -- _tThe spectacle of Monte Cristo / _rJennifer L. Jenkins -- _tAdultery and adulteration in film versions of Flaubert's Madame Bovary / _rColin Davis -- _tFor the first time on screen together: Madame Bovary and Les Misérables in 1934 / _rDudley Andrew -- _tThe Americanization of Victor Hugo: Darryl F. Zanuck's Les Misérables (1935) -- _tFrom heterotopia to metatopia: staging Carmen's death / _rPhil Powrie -- _tFrom the Recherche on film toward a Proustian cinema / _rSteven Ungar -- _tOtto Preminger's Bonjour, Tristesse: a tale of three women, if not more / _rR. Barton Palmer -- _tAdapting Pagnol and Provence / _rJeremy Strong -- _tMaigret on screen: stardom and literary adaptation / _rGinette Vincendeau -- _tThe making and remaking of Thérèse Desqueyroux: one novel, two films / _rSusan Hayward -- _tElle (2016), rape, and adaptation / _rHomer B. Pettey |
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_a2 _ub |
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_aFrench literature _xHistory and criticism. |
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650 | 0 |
_aFrench literature _xFilm adaptations _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aPettey, Homer B., _e5 |
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700 | 1 |
_aPalmer, R. Barton, _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2127716&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPN- _m2019 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c89892 _d89892 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |