000 | 02116cam a2200409Ki 4500 | ||
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001 | on1100588361 | ||
003 | OCoLC | ||
005 | 20240726105126.0 | ||
008 | 190509s2019 nbu obq s001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dEBLCP _dP@U _dYDXIT _dYDX _dJSTOR |
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020 |
_a9781496214973 _q((electronic)l(electronic)ctronic) |
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020 |
_a9781496214997 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aPN1995 _b.S874 2019 |
049 | _aMAIN | ||
100 | 1 |
_aRodríguez-Hernández, Raúl, _e1 |
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245 | 1 | 0 |
_aThe supernatural sublime : _bthe wondrous ineffability of the everyday in films from Mexico and Spain / _cRaúl Rodríguez-Hernández and Claudia Schaefer. |
260 |
_aLincoln : _bUniversity of Nebraska Press, _c(c)2019. |
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300 | _a1 online resource. | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aNew hispanisms | |
520 | 0 |
_a"The Supernatural Sublime explores the long-neglected element of the supernatural in films from Spain and Mexico"-- _cProvided by publisher. |
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504 | _a1, filmography, and index. | ||
505 | 0 | 0 |
_aPorous landscapes of the modern world: the witch as sublime intruder -- _tHaunted houses: inheriting the supernatural -- _tThe fascination and danger of schools for girls -- _tA desperate longing for order: the masks of innocence -- _tPatterns of temporal terror: a repetition compulsion? -- _tConclusion: sublime afterimages. |
530 |
_a2 _ub |
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650 | 0 | _aSupernatural in motion pictures. | |
650 | 0 |
_aMotion pictures, Mexican _xHistory and criticism. |
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650 | 0 |
_aMotion pictures, Spanish _xHistory and criticism. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aSchaefer, Claudia, _d1949- _e1 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2119741&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN.. _m2019 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c89878 _d89878 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |