000			03571cam a2200421 i 4500
001			on1090698540
003			OCoLC
005			20240726105124.0
008			190319s2019 ilua ob 001 0 eng
010			_a2019013274
040			_aDLC _beng _erda _cDLC _dOCLCO _dNT _dOCLCF _dP@U _dJSTOR _dEBLCP _dYDX
020			_a9780252051234 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_an-us---
050	1	4	_aGV1623 _b.D363 2019
049			_aMAIN
100	1		_aSmith, Christopher J. _q(Christopher John), _d1959- _e1
245	1	0	_aDancing revolution : _bbodies, space, and sound in American cultural history / _cChristopher J. Smith.
260			_aUrbana : _bUniversity of Illinois Press, _c(c)2019.
300			_a1 online resource (xii, 255 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aMusic in American life
520	0		_a"Smith's project reconfigures the understanding of public space as a site for symbolic contestation of social and political control by investigating historical moments of participatory vernacular dance. Smith focuses extensively on public venues, such as the street, dance hall, and theater, in order to analyze the ways in which participatory public dance--street dance--functioned as a tool for contesting, constructing, or reinventing social order. Utilizing individual case studies that include, in part, the God-intoxicated public demonstrations of the First Great Awakening; the Creolized antebellum theatrical and festival dance of cities as diverse as New Orleans, Albany, and Bristol; the modernism, primitivism, and racial integration of 20th century African American popular dance; and the social role of dance in contemporary transgressive communities, Smith's project spans centuries, geographies, and cultural identities. Smith contends that highly diverse groups from across a very wide span of political and cultural identities have struck upon street dance as an effective and empowering rhetorical strategy. Smith analyzes the particularly explosive contestation of gender, sexuality, race, class, and community identity that occurs when these participatory public dances occur"-- _cProvided by publisher.
504			_a2
505	0	0	_aIntroduction : "Callin' out, around the world..." -- _tSacred bodies in the great awakenings -- _tA tale of two cities I : akimbo bodies and the English Caribbean -- _tSpaces, whistles, tags, and drums : irruptive noise -- _tA tale of two cities II : festival and spectacle in the French Caribbean -- _tUtopian movements and oments : shakers and ghost dancers -- _tBlackface transformations I : modernism, primitivism, and race -- _tBlackface transformations II : voyeurism, identity, and double-consciousness -- _tBody and spirit in a post-1960s world : hippies, queens, punks, and B-boys -- _tStreet dance and the dream of fFreedom : "It's an invitation across the nation..."
530			_a2 _ub
650		0	_aDance _zUnited States _xHistory.
650		0	_aDance _xSocial aspects _zUnited States _xHistory.
650		0	_aPopular culture _zUnited States _xHistory.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2098305&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hGV _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89764 _d89764
902			_a1 _bCynthia Snell _c1 _dCynthia Snell