000			03429cam a2200457 i 4500
001			on1108806774
003			OCoLC
005			20240726105124.0
008			190606s2020 nyua ob 001 0 eng
010			_a2019981086
040			_aDLC _beng _erda _epn _cDLC _dOCLCO _dOCLCF _dNT _dJSTOR _dUKAHL _dYDX _dK6U _dOCLCQ _dWAU _dOCLCQ _dOCLCO _dSNK _dYDX
020			_a9780231550741 _q((electronic)l(electronic)ctronic)
042			_apcc
043			_aa-ja---
050	0	4	_aZ463 _b.T976 2020
049			_aMAIN
100	1		_aShockey, Nathan, _e1
245	1	0	_aThe typographic imagination : _breading and writing in Japan's age of modern print media / _cNathan Shockey.
260			_aNew York : _bColumbia University Press, _c(c)2020.
300			_a1 online resource (xi, 314 pages) : _billustrations.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aStudies of the Weatherhead East Asian Institute, Columbia University
504			_a2
520	0		_a"A study of how Japan's modern commercial print revolution transformed ideas and practices of prose, language, philosophy, and politics. The book explores the habituation of new forms of reading and writing from the last years of the nineteenth century through the first decades of the twentieth, as the publishing industry made mass-produced books and magazines an inexorable part of everyday life. The book argues that this process precipitated a consciousness of the typographic text as a material medium and economic artifice with the power to critique and remake the modern world. Drawing from extensive archival research, with materials ranging from Meiji-era magazines to bookseller trade journals, strike bulletins, Esperanto primers, and declassified secret government censorship reports, The Typographic Imagination provides a layered, prismatic vision of Japanese literature, language, and culture in the age of modern mass media"-- _cProvided by publisher
505	0	0	_aIntroduction: The world made type -- _tPart I: The making of a modern media ecology -- _tPictures and voices from a paper empire -- _tIwanami Shoten and the enterprise of eternity -- _tThe topography of typography: bibliophiles and used books in the print city -- _tPart II: Prose, language, and politics in Japan's type era -- _tSensational age: Yokomitsu Riichi and the contours of literary discourse -- _tBrave new words: orthographic reform, romanization, and esperantism -- _tThe medium is the masses: print capitalism and the prewar leftist movement -- _tConclusion: ends, echoes, and inversions.
530			_a2 _ub
650		0	_aBook industries and trade _zJapan _xHistory _y19th century.
650		0	_aBook industries and trade _zJapan _xHistory _y20th century.
650		0	_aPrinting _zJapan _xHistory _y19th century.
650		0	_aPrinting _zJapan _xHistory _y20th century.
650		0	_aBooks and reading _zJapan _xHistory _y19th century.
650		0	_aBooks and reading _zJapan _xHistory _y20th century.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2094684&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hZ. _m2020 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89739 _d89739
902			_a1 _bCynthia Snell _c1 _dCynthia Snell