000			03330cam a2200397Ki 4500
001			on1090397085
003			OCoLC
005			20240726105122.0
008			190322s2019 nyu ob 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dEBLCP _dJSTOR
020			_a9780231549486 _q((electronic)l(electronic)ctronic)
041	1		_aeng _hjpn
043			_aa-ja---
050	0	4	_aPN1993 _b.W438 2019
049			_aMAIN
100	1		_aYomota, Inuhiko, _d1953- _e1
245	1	0	_aWhat is Japanese cinema? : _ba history / _cYomota Inuhiko ; translated by Philip Kaffen.
260			_aNew York : _bColumbia University Press, _c(c)2019.
300			_a1 online resource.
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"What might Godzilla and Kurosawa have in common? What, if anything, links Ozu's sparse portraits of domestic life and the colorful worlds of anime? In this book, Yomota Inuhiko provides a concise history of Japanese film that shows how cinema tells the story of Japan's modern age. Discussing popular works alongside auteurist masterpieces, Inuhiko considers films in light of both Japanese cultural particularities and cinema as a worldwide art form. He covers the history of Japanese film from the silent era to the rise of J-Horror in historical, technological, and global contexts. Inuhiko shows how Japanese film has been shaped by traditional art forms such as kabuki theater as well as foreign influences spanning Hollywood and Italian neorealism. Along the way, he considers the first golden age of Japanese film; colonial filmmaking in Korea, Manchuria, and Taiwan; the impact of World War II and the U.S. occupation; the Japanese film industry's rise to international prominence during the 1950s and 1960s; and the challenges and technological shifts of recent decades. Alongside a larger thematic discussion of what defines and characterizes Japanese film, Inuhiko provides insightful readings of canonical directors including Kurosawa, Ozu, Suzuki, and Miyazaki as well as genre movies, documentaries, indie film, and pornography"-- _cProvided by publisher.
500			_a"Originally published in the Japanese as Nihon eigash 110 nen (Tokyo: Shueisha, 2014)."
504			_a2
505	0	0	_aMotion pictures: 1896-1918 -- _tThe rise of silent film: 1917-1930 -- _tThe first golden age: 1927-1940 -- _tJapanese cinema during wartime -- _tFilm production in the colonies and occupied lands -- _tJapanese cinema under American occupation: 1945-1952 -- _tToward a second golden age: 1952-1960 -- _tUpheaval amidst steady decline: 1961-1970 -- _tDecline and torpor: 1971-1980 -- _tThe collapse of the studio system: 1981-1990 -- _tThe indies start to flourish: 1991-2000 -- _tWithin a production bubble: 2001-2011.
530			_a2 _ub
650		0	_aMotion pictures _zJapan _xHistory.
655		1	_aElectronic Books.
700	1		_aKaffen, Phil, _etrl
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2087980&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89644 _d89644
902			_a1 _bCynthia Snell _c1 _dCynthia Snell