000			03098cam a2200445Ii 4500
001			on1089018056
003			OCoLC
005			20240726105119.0
008			190302s2018 gw ob 001 0 eng d
040			_aEBLCP _beng _erda _cEBLCP _dMERUC _dNT _dNHM _dYDX
020			_a9783825378530 _q((electronic)l(electronic)ctronic)
020			_a3825378535 _q((electronic)l(electronic)ctronic)
020			_a3825369560
020			_a9783825369569
043			_an-us---
050	0	4	_aML200 _b.W457 2018
049			_aMAIN
100	1		_aGail, Dorothea, _e1
245	1	0	_aWeird American music : _bcase studies of Underground Resistance, BarlowGirl, Jackalope, Charles Ives, and Waffle House Music / _cDorothea Gail.
260			_aHeidelberg : _bUniversitätsverlag Winter, _c(c)2018.
300			_a1 online resource (413 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aAmerican Studies - A Monograph Series, _vvolume 299
500			_aHabilitation--Johannes Gutenberg-Universität Mainz, 2017.
504			_a2
520	0		_a"The author takes Greil Marcus's capacious category of 'weirdness' in new directions to examine a tension in certain expressions of American music and music communities since the 1980s. It locates this tension in the space between the artists' striving for authenticity in the values they want to communicate on the one hand, and the demands of the marketplace on the other. The results are 'weird' in both the economic and artistic sense. The book follows five different case studies: Underground Resistance, BarlowGirl, Jackalope, the latter-day reception of Charles Ives, and Waffle House Music. All have struggled against co-optation, and arguably faced defeat in their efforts to stay authentic during an era in which lifestyle and ethnicity have become commodified, and both religious and humanistic values have become products."--Provided by publisher.
505	0	0	_aUnderground Resistance: "They Keep Calling Me": Ghosts, Post-Collapse Resistance, and the African American Imaginary in Detroit Techno -- _tBarlowGirl: Warrior virgins and the therapeutic family in Chicago Christian rock -- _tJackalope: R. Carlos Nakai, Larry Yáñez, and the ironies of Southwestern hybridity -- _tCharles Ives: The reception of a New England hero and the classical music cult -- _tWaffle House music: Advertising as Southern folk art -- _tConclusion: fade out.
530			_a2 _ub
650		0	_aMusic _zUnited States _y20th century _xHistory and criticism.
650		0	_aPopular music _zUnited States _xHistory and criticism.
650		0	_aFolk music _zUnited States _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2030712&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89523 _d89523
902			_a1 _bCynthia Snell _c1 _dCynthia Snell