000			02161cam a2200421 i 4500
001			on1078958029
003			OCoLC
005			20240726105119.0
008			181206s2019 caua ob 001 0 eng
010			_a2018058290
040			_aDLC _beng _erda _cDLC _dOCLCF _dNT _dYDX _dEBLCP _dYDX _dUKAHL _dUKOUP _dJSTOR
020			_a9781503609716 _q((electronic)l(electronic)ctronic)
042			_apcc
050	1	4	_aPR149 _b.P466 2019
049			_aMAIN
100	1		_aCamlot, Jason, _d1967- _e1
245	1	0	_aPhonopoetics : _bthe making of early literary recordings / _cJason Camlot.
260			_aStanford, California : _bStanford University Press, _c(c)2019.
300			_a1 online resource (xv, 229 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction : audiotextual criticism -- _tThe voice of the phonograph -- _tCharles Dickens in three minutes or less : early phonographic fiction -- _tAlfred Tennyson's spectral energy : historical intonation in dramatic recitation -- _tT.S. Eliot's recorded experiments in modernist verse speaking -- _tConclusion : analog, digital, conceptual.
520	0		_aFrom the invention of the phonograph in 1877 to some of the first recorded performances of modernist works in the 1930s, this book tells the neglected story of early spoken recordings and their significance for the experience and understanding of literature.
530			_a2 _ub
650		0	_aEnglish literature _xAudio adaptations _xHistory and criticism.
650		0	_aLiterature and technology _xHistory.
650		0	_aSound recordings _xHistory.
650		0	_aOral interpretation _xHistory.
650		0	_aPhonograph _xHistory.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2027825&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPR. _m2019 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89502 _d89502
902			_a1 _bCynthia Snell _c1 _dCynthia Snell