000 03991cam a2200397 i 4500
001 on1079399648
003 OCoLC
005 20240726105116.0
008 181211s2019 inu ob 000 p eng
010 _a2018059203
040 _aDLC
_beng
_erda
_cDLC
_dNT
_dYDX
_dEBLCP
_dP@U
_dNT
_dMERUC
_dYDX
020 _a9780268105396
_q((electronic)l(electronic)ctronic)
042 _apcc
050 1 4 _aPS3618
_b.I544 2019
049 _aMAIN
100 1 _aRhodes, Heidi Andrea,
_e1
245 1 0 _aThe inheritance of haunting /Heidi Andrea Restrepo Rhodes.
260 _aNotre Dame, Indiana :
_bUniversity of Notre Dame Press,
_c(c)2019.
300 _a1 online resource (xiv, 87 pages).
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
490 1 _aThe Andrés Montoya Poetry Prize
520 0 _a"Winner of the 2018 Andrés Montoya Poetry Prize, The Inheritance of Haunting, by Heidi Andrea Restrepo Rhodes, is a collection of poems contending with historical memory and its losses and gains carried within the body, wrought through colonization and its generations of violence, war, and survival. The driving forces behind Rhodes's work include a decolonizing ethos; a queer sensibility that extends beyond sexual and gender identities to include a politics of deviance; errantry; ramshackled bodies; and forms of loving and living that persist in their wild difference. Invoking individual and collective ghosts inherited across diverse geographies, this collection queers the space between past, present, and future. In these poems, haunting is a kind of memory weaving that can bestow a freedom from the attenuations of the so-called American dream, which, according to Rhodes, is a nightmare of assimilation, conquest, and genocide. How love unfolds is also a Big Bang emergence into life--a way to, again and again, cut the future open, open up the opening, undertake it, begin"--
_cProvided by publisher.
504 _a1
505 0 0 _aIntroduction to the Poems by Ada Limón --
_tI. EL OTRO LADO /
_rTHE OTHER SIDE. the past is a candle in the temple of my mouth --
_tthe other side (I) --
_tscar --
_tall your braids like a compass will bring us home --
_tall that is left --
_twhere it begins --
_ttristeza profunda --
_theard in the yes of gods --
_tshe who does not feel her name beneath her feet will wander, will wander --
_tif I wear my hair this way --
_timbunche --
_t1901 --
_tblood of la Mojana --
_tseven generations/one --
_tthe flower husband --
_tpurgatory --
_tla Llorona --
_tThe dream in which we die togethermissionary --
_tthe heresy in our bones --
_tprayer for the children who will be born with today's daggers in their tomorrow eyes --
_tthe other side (II) --
_tI I . CASI PÁJAROS/ALMOST BIRDS. dis-astre --
_twhen the machete will sever the ballad (memory-mourningfor El Mozote) --
_tfog --
_tlast balloon --
_teternal return --
_tso far --
_tthe terror of clean --
_tA11728 --
_tnon-combat related incidents and other lies --
_thelix/womb/house --
_twhat the bird has seen --
_tlike fish, like song --
_tlittle birds --
_tonomasticon (or, I sing the names of our dead) --
_tthe ache on the tongue of the grieving --
_tthe value of sparrows --
_tAzan, or the call to prayer, o resistir es rezar que arrasemos el orden de arrancamiento, or when the sky opens and I am swallowedtill the taste of free in our mouths (brown baby lullaby) --
_tfor the boy who went to war and came back fire, came back song --
_tfishbone --
_tNotes.
530 _a2
_ub
650 0 _aSadness
_vPoetry.
650 0 _aDeath
_vPoetry.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1949719&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPS.
_m2019
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c89294
_d89294
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell