000 | 03991cam a2200397 i 4500 | ||
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001 | on1079399648 | ||
003 | OCoLC | ||
005 | 20240726105116.0 | ||
008 | 181211s2019 inu ob 000 p eng | ||
010 | _a2018059203 | ||
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_aDLC _beng _erda _cDLC _dNT _dYDX _dEBLCP _dP@U _dNT _dMERUC _dYDX |
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_a9780268105396 _q((electronic)l(electronic)ctronic) |
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042 | _apcc | ||
050 | 1 | 4 |
_aPS3618 _b.I544 2019 |
049 | _aMAIN | ||
100 | 1 |
_aRhodes, Heidi Andrea, _e1 |
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245 | 1 | 0 | _aThe inheritance of haunting /Heidi Andrea Restrepo Rhodes. |
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_aNotre Dame, Indiana : _bUniversity of Notre Dame Press, _c(c)2019. |
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300 | _a1 online resource (xiv, 87 pages). | ||
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aThe Andrés Montoya Poetry Prize | |
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_a"Winner of the 2018 Andrés Montoya Poetry Prize, The Inheritance of Haunting, by Heidi Andrea Restrepo Rhodes, is a collection of poems contending with historical memory and its losses and gains carried within the body, wrought through colonization and its generations of violence, war, and survival. The driving forces behind Rhodes's work include a decolonizing ethos; a queer sensibility that extends beyond sexual and gender identities to include a politics of deviance; errantry; ramshackled bodies; and forms of loving and living that persist in their wild difference. Invoking individual and collective ghosts inherited across diverse geographies, this collection queers the space between past, present, and future. In these poems, haunting is a kind of memory weaving that can bestow a freedom from the attenuations of the so-called American dream, which, according to Rhodes, is a nightmare of assimilation, conquest, and genocide. How love unfolds is also a Big Bang emergence into life--a way to, again and again, cut the future open, open up the opening, undertake it, begin"-- _cProvided by publisher. |
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_aIntroduction to the Poems by Ada Limón -- _tI. EL OTRO LADO / _rTHE OTHER SIDE. the past is a candle in the temple of my mouth -- _tthe other side (I) -- _tscar -- _tall your braids like a compass will bring us home -- _tall that is left -- _twhere it begins -- _ttristeza profunda -- _theard in the yes of gods -- _tshe who does not feel her name beneath her feet will wander, will wander -- _tif I wear my hair this way -- _timbunche -- _t1901 -- _tblood of la Mojana -- _tseven generations/one -- _tthe flower husband -- _tpurgatory -- _tla Llorona -- _tThe dream in which we die togethermissionary -- _tthe heresy in our bones -- _tprayer for the children who will be born with today's daggers in their tomorrow eyes -- _tthe other side (II) -- _tI I . CASI PÁJAROS/ALMOST BIRDS. dis-astre -- _twhen the machete will sever the ballad (memory-mourningfor El Mozote) -- _tfog -- _tlast balloon -- _teternal return -- _tso far -- _tthe terror of clean -- _tA11728 -- _tnon-combat related incidents and other lies -- _thelix/womb/house -- _twhat the bird has seen -- _tlike fish, like song -- _tlittle birds -- _tonomasticon (or, I sing the names of our dead) -- _tthe ache on the tongue of the grieving -- _tthe value of sparrows -- _tAzan, or the call to prayer, o resistir es rezar que arrasemos el orden de arrancamiento, or when the sky opens and I am swallowedtill the taste of free in our mouths (brown baby lullaby) -- _tfor the boy who went to war and came back fire, came back song -- _tfishbone -- _tNotes. |
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_aSadness _vPoetry. |
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_aDeath _vPoetry. |
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655 | 1 | _aElectronic Books. | |
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_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1949719&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPS. _m2019 _QOL _R _x _8NFIC _2LOC |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |