000 04041cam a2200457 i 4500
001 on1035244431
003 OCoLC
005 20240726105115.0
008 180502s2018 utua ob 001 0deng
010 _a2018021575
040 _aDLC
_beng
_erda
_epn
_cDLC
_dOCLCO
_dOCLCF
_dOCLCQ
_dOCLCO
_dNT
_dP@U
_dEBLCP
_dYDX
_dUAB
_dAU@
_dOCLCO
_dOCL
_dOCLCQ
_dOCLCO
_dUKAHL
_dK6U
_dYDX
020 _a9781607816386
_q((electronic)l(electronic)ctronic)
042 _apcc
043 _an-usp--
_an-us---
050 1 4 _aTR715
_b.A276 2018
049 _aMAIN
100 1 _aDavis, Daniel
_c(Photography curator),
_e1
245 1 0 _aAcross the continent :
_bthe Union Pacific photographs of Andrew J. Russell /
_cDaniel Davis.
260 _aSalt Lake City :
_bUniversity of Utah Press :
_c(c)2018.
260 _bUtah State Historical Society,
_c(c)2018.
300 _a1 online resource (viii, 195 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
504 _a2
505 0 0 _aIntroduction: The forgotten photographer --
_tA.J. Russell and the golden age of Western photography --
_tRussell in New York and during the Civil War (1829-1865) --
_tThe Union Pacific and Central Pacific railroads and the use of photography (1862-1868) --
_tRussell's first trip out West (1868) --
_tRussell's second trip West and the Golden Spike Ceremony (1869) --
_tDocumenting the West (Summer and Fall of 1869) --
_tLeslie's Illustrated and the market in photographs after 1870 --
_tRussell's images and the rise and decline of Western photography --
_tEpilogue: the forgotten photographs of the Union Pacific, from obscurity to rediscovery --
_tCatalog of Russell's Union Pacific photographs.
520 0 _a"Andrew J. Russell is primarily known as the man who photographed the famous "East and West Shaking Hands" image of the Golden Spike ceremony on May 10, 1869. He also took nearly one thousand other images that document almost every aspect of the construction of the Union PacificRailroad. Across the Continent is the most detailed study to date of the life and work of an often-overlooked but prolific artist who contributed immensely not only to documentation of the railroad but also to the nation's visualization of the American West and, earlier, the Civil War. The central focus in the book is on the large body of work Russell produced primarily to satisfy the needs of the Union Pacific. Daniel Davis posits that this set of Russell's photos is best understood not through one or a handful of individual images, but as a photographic archive. Taken as a whole, that archive shows that Russell intended for viewers never to forget who built the Union Pacific. His images celebrate working people, masons working on bridge foundations, freighters and their wagons, surveyors with their transits, engine crews posed on their engines, as well as tracklayers, laborers, cooks, machinists, carpenters, graders, teamsters, and clerks pushing paper. Russell contributed to a golden age of Western photography that visually introduced the American West to the nation, changing its public image from that of a Great American Desert to a place of apparently unlimited economic potential."--Provided by publisher.
530 _a2
_ub
600 1 0 _aRussell, Andrew J.
610 2 0 _aUnion Pacific Railroad Company
_xHistory
_vPictorial works.
610 2 0 _aCentral Pacific Railroad Company
_xHistory
_vPictorial works.
650 0 _aPhotography of railroads.
650 0 _aRailroads
_zUnited States
_xHistory
_y19th century
_vPictorial works.
650 0 _aPhotographers
_zUnited States.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1945607&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hTR
_m2018
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c89252
_d89252
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell