000 | 02770cam a2200385Ii 4500 | ||
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001 | on1076271673 | ||
003 | OCoLC | ||
005 | 20240726105115.0 | ||
008 | 181126t20192019enka ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dYDX _dOCLCQ _dNT _dEBLCP _dOCLCF _dQCL _dOSU |
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020 |
_a9781526113719 _q((electronic)l(electronic)ctronic) |
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043 | _ae-uk--- | ||
050 | 0 | 4 |
_aPN1590 _b.Q447 2019 |
049 | _aMAIN | ||
100 | 1 |
_aGreer, Stephen, _d1978- _e1 |
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245 | 1 | 0 |
_aQueer exceptions : _bsolo performance in neoliberal times / _cStephen Greer. |
260 |
_aManchester : _bManchester University Press, _c(c)2019. |
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300 |
_a1 online resource (ix, 248 pages) : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aTheatre: Theory - Practice - Performance Ser. | |
520 | 8 | _aQueer expectations is a study of contemporary solo performance in the UK and Western Europe that explores the contentious relationship between identity, individuality and neoliberalism. With diverse case studies featuring the work of La Ribot, David Hoyle, Oreet Ashery, Bridget Christie, Tanja Ostojic, Adrian Howells and Nassim Soleimanpour, the book examines the role of singular or 'exceptional' subjects in constructing and challenging assumed notions of communal sociability and togetherness, while drawing fresh insight from the fields of sociology, gender studies and political philosophy to reconsider theatre's attachment to singular lives and experiences. Framed by a detailed exploration of arts festivals as encapsulating the material, entrepreneurial circumstances of contemporary performance-making, this is the first major critical study of solo work since the millennium. | |
504 | _a2 | ||
505 | 0 | 0 |
_aLocating solo performance -- _tThe martyr: dramaturgies of endurance, exhaustion and confession -- _tThe pariah: queer outcasts and the politics of wounded attachment -- _tThe killjoy: public unhappiness and theatrical scapegoats -- _tThe stranger: performing 'out-of-placeness' in the UK and Europe -- _tThe misfit: illness, disability and 'improper' subjects -- _tThe optimist: alternatives in the here and now. |
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_a2 _ub |
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650 | 0 |
_aGays and the performing arts _zGreat Britain. |
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650 | 0 |
_aHomosexuality in the theater _zGreat Britain. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1942186&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hPN. _m2019 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c89239 _d89239 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |