000			03064cam a2200445 i 4500
001			on1054387308
003			OCoLC
005			20240726105114.0
008			180214t20182018stk ob 001 0 eng d
010			_a2017277646
040			_aUKOUP _beng _erda _epn _cUKOUP _dOCLCO _dOCLCF _dYDX _dJSTOR _dEBLCP _dNT _dYDXIT _dLEAUB _dUAB _dAU@ _dUKAHL _dOCL _dOCLCQ _dOCLCO _dOCLCQ _dK6U _dOCL _dOCLCQ _dKMS _dUX1 _dWAU
020			_a9781474444897 _q((electronic)l(electronic)ctronic)
043			_ae-uk---
050	0	4	_aD810 _b.W758 2018
049			_aMAIN
100	1		_aWhittington, Ian, _e1
245	1	0	_aWriting the radio war : _bliterature, politics and the BBC, 1939-1945 / _cIan Whittington.
260			_aEdinburgh : _bEdinburgh University Press, _c(c)2018.
300			_a1 online resource (vii, 220 pages).
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
388	1		_aWorld War, 1939-1945 _2lcsh
490	1		_aEdinburgh critical studies in war and culture
500			_aPreviously issued in print: 2018.
504			_a2
505	0	0	_aIntroduction : Projecting Britain -- _tOut of the people : J.B. Priestley's broadbrow radicalism -- _tJames Hanley and the shape of the Wartime Features Department -- _tTo build the falling castle : Louis MacNeice and the drama of form -- _tVersions of neutrality : Denis Johnston's War Reports -- _tCalling the West Indies : Una Marson's wireless Black Atlantic -- _tCoda : Coronation.
520	0		_aWriting the Radio War positions the Second World War as a critical moment in the history of cultural mediation in Britain. Through chapters focusing on the middlebrow radicalism of J.B. Priestley, ground-breaking works by Louis MacNeice and James Hanley at the BBC Features Department, frontline reporting by Denis Johnston, and the emergence of a West Indian literary identity in the broadcasts of Una Marson, Writing the Radio War explores how these writers capitalised on the particularities of the sonic medium to communicate their visions of wartime and postwar Britain and its empire. By combining literary aesthetics with the acoustics of space, accent, and dialect, writers created aural communities that at times converged, and at times contended, with official wartime versions of Britain and Britishness.-- _cProvided by publisher.
530			_a2 _ub
610	2	0	_aBritish Broadcasting Corporation _xHistory.
650		0	_aWorld War, 1939-1945 _zGreat Britain _xRadio broadcasting and the war.
650		0	_aWorld War, 1939-1945 _xSocial aspects _zGreat Britain.
650		0	_aWorld War, 1939-1945 _zGreat Britain _xLiterature and the war.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1923858&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hD. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c89155 _d89155
902			_a1 _bCynthia Snell _c1 _dCynthia Snell