000 | 02982cam a2200433Ki 4500 | ||
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001 | on1048004794 | ||
003 | OCoLC | ||
005 | 20240726105114.0 | ||
008 | 180808s2017 stk o 001 0 zxx d | ||
040 |
_aCAMBR _beng _erda _epn _cCAMBR _dU3W _dOCLCO _dOCLCF _dEBLCP _dNT _dAGLDB _dG3B _dIGB _dSTF _dUKOUP _dLEAUB _dYDXIT _dUKAHL _dJSTOR |
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020 |
_a9781474411400 _q((electronic)l(electronic)ctronic) |
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020 |
_a9781474438445 _q((electronic)l(electronic)ctronic) |
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043 | _an-us--- | ||
050 | 0 | 0 |
_aPN2287 _b.H365 2017 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aHamlet lives in Hollywood : _bJohn Barrymore and the acting tradition onscreen / _cedited by Murray Pomerance and Steven Rybin. |
260 |
_aEdinburgh : _bEdinburgh University Press, _c(c)2017. |
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300 | _a1 online resource (x, 203 pages) | ||
336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aEdinburgh scholarship online | |
520 | 0 | _aThis book, a collection of fifteen original essays on the film performances and stardom of John Barrymore, redresses the lack of scholarship on Barrymore by offering a range of varied perspectives on the actor's work. | |
505 | 0 | 0 | _aIntro; Contents; Figures; The Contributors; Acknowledgments; Introduction; 1 The Pre-Bard Stage Career of John Barrymore; 2 Dangerously Modern: Shakespeare, Voice, and the "New Psychology" in John Barrymore's "Unstable" Ch; 3 The Curious Case of Sherlock Holmes; 4 John Barrymore's Introspective Performance in Beau Brummel; 5 "Keep back your pity": The wounded Barrymore of The Sea Beast (1926) and Moby Dick (1930); 6 From Rome to Berlin: Barrymore as Romantic Lover; 7 The Power of Stillness: John Barrymore's Performance in Svengali |
505 | 0 | 0 | _a8 Prospero Unbound: John Barrymore's Theatrical Transformations of Cinema Reality9 A Star is Dead: Barrymore's Anti-Christian Metaperformance; 10 Handling Time: The Passing of Tradition in A Bill of Divorcement; 11 John Barrymore's Sparkling Topaze; 12 "Planes, Motors, Schedules": Night Flight and the Modernity of John Barrymore; 13 Barrymore and the Scene of Acting: Gesture, Speech, and the Repression of Cinematic Performance; 14 "I Never Thought I Should Sink So Low as to Become an Actor": John Barrymore in Twentieth Century |
504 | _a2 | ||
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_a2 _ub |
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600 | 1 | 0 |
_aBarrymore, John, _d1882-1942. |
600 | 1 | 0 |
_aBarrymore, John, _d1882-1942 _xInfluence. |
650 | 0 |
_aActors _zUnited States _vBiography. |
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655 | 1 | _aElectronic Books. | |
700 | 1 |
_aPomerance, Murray, _d1946- _e5 |
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700 | 1 |
_aRybin, Steven, _d1979- _e5 |
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856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1923820&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPN. _m2017 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c89147 _d89147 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |