000 | 03352cam a2200421 i 4500 | ||
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001 | on1080273168 | ||
003 | OCoLC | ||
005 | 20240726105112.0 | ||
008 | 181226t20192019mauaf ob 001 0beng d | ||
010 | _a2018015474 | ||
040 |
_aNT _beng _erda _epn _cNT _dEBLCP _dYDX _dOCL _dDEGRU _dOCL _dOCLCO _dUWO _dOCL _dOCLCO _dUKAHL _dOCLCQ _dOTZ _dBRX _dOCLCQ _dOUP _dJSTOR |
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020 |
_a9780674989078 _q((electronic)l(electronic)ctronic) |
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043 | _ae-uk--- | ||
050 | 0 | 4 |
_aPR4879 _b.I584 2019 |
049 | _aMAIN | ||
100 | 1 |
_aLodge, Sara _q(Sara J.), _e1 |
|
245 | 1 | 0 | _aInventing Edward Lear /Sara Lodge. |
260 |
_aCambridge, Massachusetts : _bHarvard University Press, _c(c)2019. |
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300 | _a1 online resource (436 pages, 16 unnumbered pages of plates) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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520 | 0 | _aAn original and lively account of one of the most influential figures of the Victorian age. Edward Lear wrote some of the best-loved poems in English, including "The Owl and the Pussycat," but the father of nonsense was far more than a poet. He was a naturalist, a brilliant landscape painter, an experimental travel writer, and an accomplished composer. Sara Lodge presents the fullest account yet of Lear's passionate engagement in the intellectual, social, and cultural life of his times. Lear had a difficult start in life. He was epileptic, asthmatic, and depressive, but even as a child a consummate performer who projected himself into others' affections. He became, by John James Audubon's estimate, one of the greatest ornithological artists of the age. Queen Victoria--an admirer--chose him to be her painting teacher. He popularized the limerick, set Tennyson's verse to music, and opened fresh doors for children and adults to share fantasies of magical escape. Lodge draws on diaries, letters, and new archival sources to paint a vivid picture of Lear that explores his musical influences, his religious nonconformity, his relationship with the Pre-Raphaelite movement, and the connections between his scientific and artistic work. He invented himself as a character: awkward but funny, absurdly sympathetic. In Lodge's hands, Lear emerges as a dynamic and irreverent polymath whose conversation continues to draw us inches Inventing Edward Lear is an original and moving account of one of the most intriguing and creative of all Victorians.--Provided by publsher. | |
504 | _a2 | ||
505 | 0 | 0 |
_aReturning to Lear: music and memory -- _tNonsense and nonconformity -- _tQueer beasts -- _tDreamwork: Lear's visual language -- _tInventing Edward Lear. |
530 |
_a2 _ub |
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600 | 1 | 0 |
_aLear, Edward, _d1812-1888. |
650 | 0 |
_aAuthors, English _y19th century _vBiography. |
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650 | 0 |
_aArtists _zGreat Britain _vBiography. |
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650 | 0 |
_aNatural history illustrators _zGreat Britain _vBiography. |
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650 | 0 |
_aArts, Victorian _zGreat Britain. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1913273&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hPR. _m2019 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c89059 _d89059 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |