000 | 03099cam a2200361Ii 4500 | ||
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001 | on1056109592 | ||
003 | OCoLC | ||
005 | 20240726105111.0 | ||
008 | 181008t20182018ctuaf eob 001 0 eng d | ||
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_aNT _beng _erda _epn _cNT _dJSTOR _dEBLCP _dYDX _dTEFOD _dOCLCF _dLVT _dDEGRU _dTOH _dAU@ _dHIR |
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_a9780300240818 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aGR830 _b.V367 2018 |
049 | _aMAIN | ||
100 | 1 |
_aGroom, Nick, _d1966- _e1 |
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245 | 1 | 0 |
_aThe vampire : _ba new history / _cNick Groom. |
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_aNew Haven : _bYale University Press, _c(c)2018. |
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_a1 online resource (xx, 288 pages, 16 unnumbered pages of plates) : _billustrations (some color). |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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520 | 8 | _aPublished to mark the bicentenary of John Polidori's publication of The Vampyre, Nick Groom's detailed new account illuminates the complex history of the iconic creature. The vampire first came to public prominence in the early eighteenth century, when Enlightenment science collided with Eastern European folklore and apparently verified outbreaks of vampirism, capturing the attention of medical researchers, political commentators, social theorists, theologians, and philosophers. Groom accordingly traces the vampire from its role as a monster embodying humankind's fears, to that of an unlikely hero for the marginalized and excluded in the twenty-first century. Drawing on literary and artistic representations, as well as medical, forensic, empirical, and sociopolitical perspectives, this rich and eerie history presents the vampire as a strikingly complex being that has been used to express the traumas and contradictions of the human condition. | |
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_aForeword -- _tA note on the etymology of the word vampire -- _tIntroduction: Creating : thinking with vampires -- _tPart I. Circulating : the seventeenth and eighteenth centuries. Unearthing the dead : medicine and detection, body and mind ; The lands of blood : place and race, territory and travel ; Ghostly theology : rational religion, spiritual reason ; The covenant of the undead : Catholicism and enlightenment, sanctity and danger -- _tPart II. Coagulating : the nineteenth century to the present. The cultures of death : Gothic romanticism, deathly words ; Mortal pathologies : being bestial, living lies ; Bleeding gold : Gothic capitalism and undead consumerism ; The Count, Dracula : smoke and mirrors - pen, paint and blood -- _tConclusion: Crawling and creeping : living with vampires. |
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_a2 _ub |
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650 | 0 | _aVampires. | |
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_aVampires _xHistory. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1907815&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hGR. _m2018 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c89018 _d89018 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |