000			03463cam a2200385Ii 4500
001			on1051222313
003			OCoLC
005			20240726105109.0
008			180910t20182018txu ob 001 0deng d
040			_aNT _beng _erda _epn _cNT _dOCLCA _dEBLCP _dYDX _dTEFOD _dCUS _dCNO
020			_a9781477317716 _q((electronic)l(electronic)ctronic)
050	0	4	_aML420 _b.B496 2018
049			_aMAIN
100	1		_aTinsley, Omise'eke Natasha, _d1971- _e1
245	1	0	_aBeyoncé in formation : _bremixing black feminism / _cOmise'eke Natasha Tinsley.
260			_aAustin : _bUniversity of Texas, _c(c)2018.
300			_a1 online resource (204 pages)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a2
505	0	0	_aIntroduction : for the Texas bama femme -- _tFamily album : making lemonade out of marriage, motherhood, and southern tradition -- _tQueen bee blues -- _tMama said shoot -- _tMost bomb pussy : toward a black feminist pleasure politics -- _tLove the grind -- _tUnapologetically femme -- _tCalling for freedom : black women's activism in the US south -- _tFreedom, too -- _tI came to slay -- _tOutro : I know Beyoncé loves black femmes.
520	8		_aMaking headlines when it was launched in 2015, Omise'eke Natasha Tinsley's undergraduate course "Beyonce Feminism, Rihanna Womanism" has inspired students from all walks of life. In Beyonce in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital next-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley's "Femme-onade" mixtape explores myriad facets of black women's sexuality and gender. Turning to Beyonce's "Don't Hurt Yourself," Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in "Daddy Lessons," interspersing these passages with memories from Tinsley's multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video "Formation," underscoring why Beyonce's black femme-inism isn't only for ciswomen. From pleasure politics and the struggle for black women's reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey's provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay's Bad Feminist and Jill Lepore's bestselling cultural histories, Beyonce in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.
530			_a2 _ub
600	0	0	_aBeyoncé, _d1981-
650		0	_aAfrican American women singers.
650		0	_aAfrican American feminists.
650		0	_aFeminism and music.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1885880&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hML. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88905 _d88905
902			_a1 _bCynthia Snell _c1 _dCynthia Snell