000 | 03369cam a2200409Ii 4500 | ||
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001 | on1048897947 | ||
003 | OCoLC | ||
005 | 20240726105109.0 | ||
008 | 180820s2018 nyu ob 001 0 eng d | ||
040 |
_aJSTOR _beng _erda _epn _cJSTOR _dOCLCF _dNT _dYDX _dDEGRU _dEBLCP _dCNO |
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020 |
_a9780231547680 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aJC328 _b.N365 2018 |
049 | _aMAIN | ||
100 | 1 |
_aThaler, Mathias, _e1 |
|
245 | 1 | 0 |
_aNaming violence : _ba critical theory of genocide, torture, and terrorism / _cMathias Thaler. |
260 |
_aNew York : _bColumbia University Press _c2018. |
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300 | _a1 online resource (x, 236 pages). | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 0 | _aNew directions in critical theory | |
504 | _a2 | ||
505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _t1. POLITICAL THEORY BETWEEN MORALISM AND REALISM -- _t2. TELLING STORIES: ON ART'S ROLE IN DISPELLING GENOCIDE BLINDNESS -- _t3. HOW TO DO THINGS WITH HYPOTHETICALS: ASSESSING THOUGHT EXPERIMENTS ABOUT TORTURE -- _t4. GENEALOGY AS CRITIQUE: PROBLEMATIZING DEFINITIONS OF TERRORISM -- _t5. THE CONCEPTUAL TAPESTRY OF POLITICAL VIOLENCE -- _tNotes -- _tBibliography -- _tIndex |
520 | 0 | _aMuch is at stake when we choose a word for a form of violence: whether a conflict is labeled civil war or genocide, whether we refer to "enhanced interrogation techniques" or to "torture," whether a person is called a "terrorist" or a "patriot." Do these decisions reflect the rigorous application of commonly accepted criteria, or are they determined by power structures and partisanship? How is the language we use for violence entangled with the fight against it?In Naming Violence, Mathias Thaler articulates a novel perspective on the study of violence that demonstrates why the imagination matters for political theory. His analysis of the politics of naming charts a middle ground between moralism and realism, arguing that political theory ought to question whether our existing vocabulary enables us to properly identify, understand, and respond to violence. He explores how narrative art, thought experiments, and historical events can challenge and enlarge our existing ways of thinking about violence. Through storytelling, hypothetical situations, and genealogies, the imagination can help us see when definitions of violence need to be revisited by shedding new light on prevalent norms and uncovering the contingent history of ostensibly self-evident beliefs. Naming Violence demonstrates the importance of political theory to debates about violence across a number of different disciplines from film studies to history. | |
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_a2 _ub |
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_aPolitical violence _xPhilosophy. |
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650 | 0 | _aCritical theory. | |
650 | 0 |
_aGenocide _xPolitical aspects. |
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650 | 0 |
_aTorture _xPolitical aspects. |
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650 | 0 |
_aTerrorism _xPolitical aspects. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1880454&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hJC. _m2018 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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_c88878 _d88878 |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |