000 | 03671cam a2200421Ii 4500 | ||
---|---|---|---|
001 | on1050437551 | ||
003 | OCoLC | ||
005 | 20240726105109.0 | ||
008 | 180904s2018 ne a ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dYDX _dJSTOR _dEBLCP _dOCLCF _dDEGRU _dOSU _dORU |
||
020 |
_a9789048530694 _q((electronic)l(electronic)ctronic) |
||
020 |
_a9048530695 _q((electronic)l(electronic)ctronic) |
||
043 | _aa------ | ||
050 | 0 | 4 |
_aHN655 _b.G563 2018 |
049 | _aMAIN | ||
245 | 1 | 0 |
_aGlobalization and modernity in Asia : _bperformative moments / _cedited by Chris Hudson and Bart Barendregt. |
260 |
_aAmsterdam : _bAmsterdam University Press, _c(c)2018. |
||
300 |
_a1 online resource (241 pages) : _billustrations. |
||
336 |
_atext _btxt _2rdacontent |
||
337 |
_acomputer _bc _2rdamedia |
||
338 |
_aonline resource _bcr _2rdacarrier |
||
347 |
_adata file _2rda |
||
490 | 1 |
_aAsian visual cultures ; _v3 |
|
504 | _a2 | ||
520 | 8 | _aThis series focuses on visual cultures that are produced, distributed and consumed in Asia and by Asian communities worldwide. Visual cultures have been implicated in creative policies of the state and in global cultural networks (such as the art world, film festivals and the Internet), particularly since the emergence of digital technologies. Visual communication and innovation is also thriving in transnational networks and communities at the grass-roots level. This series seeks to explore how the texts and contexts of Asian visual cultures shape, express and negotiate new forms of creativity, subjectivity and cultural politics. It specifically aims to probe into the political, commercial and digital contexts in which visual cultures emerge and circulate, and to trace the potential of these cultures for political or social critique. Bart Barendregt is an associate professor at the Leiden Institute of Cultural Anthropology and Development Sociology. | |
505 | 0 | 0 |
_a1. Global Imaginaries and Performance in Asia / _rBart Barendregt -- _t2. Globalizing the Imagination: Introductory Reflections / _rTerrell Carver -- _t3. Weddings, Yoga, Hook-ups: Performed Identities and Technology in Bali / _rCraig Latrell -- _t4. Super Premium Soft Double Vanilla Rich and the Ideal of Convenience in Japan / _rPeter Eckersall -- _t5. Unearthing the Past and Re-imagining the Present: Contemporary Art and Muslim Politics in a Post-9/11 World / _rLeonie Schmidt -- _t6. Keeping Communists Alive in Singapore / _rChua Beng Huat -- _t7. Performative Pedagogies: Lifestyle Experts on Indian Television / _rTania Lewis -- _t8. Performing Cities: The Philippines Pavilion at the 2010 Shanghai International Exposition / _rWilliam Peterson -- _t9. Mobile Performance and the In-between: Yogyakarta Comes to Melbourne / _rChris Hudson -- _t10. An Islamist Flash Mob in the Streets of Shah Alam: Unstable Genres for Precarious Times / _rBart Barendregt -- _t11. Pure Love? Sanitized, Gendered and Multiple Modernities in Chinese Cinemas / _rJeroen de Kloet -- _t12. Yogya on Stage / _rBarbara Hatley. |
530 |
_a2 _ub |
||
650 | 0 |
_aGlobalization _zAsia. |
|
650 | 0 |
_aPopular culture _zAsia _vCross-cultural studies. |
|
650 | 0 |
_aArts and globalization _zAsia. |
|
655 | 1 | _aElectronic Books. | |
700 | 1 |
_aHudson, Chris, _d1950- _e5 |
|
700 | 1 |
_aBarendregt, Bart A., _d1968- _e5 |
|
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1879462&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hHN.. _m2018 _QOL _R _x _8NFIC _2LOC |
||
994 |
_a92 _bNT |
||
999 |
_c88876 _d88876 |
||
902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |