000			02952cam a2200409Ii 4500
001			on1050362674
003			OCoLC
005			20240726105108.0
008			180831t20182018enkab ob 001 0 eng d
040			_aYDX _beng _erda _epn _cYDX _dNT _dEBLCP _dNLE _dNT _dOCLCF _dOCLCO _dAU@ _dUKAHL _dOCLCQ _dOCLCO _dOCLCQ _dK6U _dOCLCQ _dOSU _dVLY _dAUD _dJSTOR
020			_a9781526127242 _q((electronic)l(electronic)ctronic)
020			_a9781526141989
043			_ae-fr---
050	0	4	_aPN1590 _b.P474 2018
049			_aMAIN
100	1		_aCrowder, Susannah, _e1
245	1	0	_aPerforming women : _bgender, self, and representation in late medieval Metz / _cSusannah Crowder
260			_aManchester : _bManchester University Press, _c(c)2018.
300			_a1 online resource (x, 263 pages) : _billustrations, maps
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	1		_aManchester medieval literature and culture ; _v22
504			_a2
520	8		_aThis book takes on a key problem in the history of drama: the 'exceptional' staging of the life of Catherine of Siena by a female actor and a female patron in 1468 Metz. Exploring the lives and performances of these previously anonymous women, the book brings the elusive figure of the female performer to centre stage. It integrates new approaches to drama, gender and patronage with a performance methodology to explore how the women of fifteenth-century Metz enacted varied kinds of performance that extended beyond the theatre. For example, decades before the 1468 play, Joan of Arc returned from the grave in the form of an impersonator named Claude. Offering a new paradigm of female performance that positions women at the core of public culture, Performing women is essential reading for scholars of pre-modern women and drama, and is also relevant to lecturers and students of late-medieval performance, religion and memory
505	0	0	_aActing as Catherine: writing the history of female performers -- _t'I, Catherine': biography, documentary culture, and public presence -- _tPerformance and the parish: space, memory, and material devotion -- _tNegotiated devotions and performed histories: laywomen in monastic spaces -- _t'Call me Claude': female actors, impersonation, and cultural transmission
530			_a2 _ub
600	0	0	_aCatherine, _cof Siena, Saint, _d1347-1380 _xIn literature.
650		0	_aActresses _zFrance _zMetz _xHistory.
650		0	_aDrama _y15th and 16th centuries _xHistory and criticism.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1878206&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88863 _d88863
902			_a1 _bCynthia Snell _c1 _dCynthia Snell