000			03466cam a2200397Ii 4500
001			on1049974772
003			OCoLC
005			20240726105108.0
008			180827t20182018stka obq 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dNT _dYDX _dOCLCF _dJSTOR _dOTZ _dUKAHL _dUKOUP _dYDXIT _dOCLCQ _dK6U _dUX1 _dWAU _dCN6UV _dOCL _dOCLCO _dCAMBR _dANV
020			_a9781474453622 _q((electronic)l(electronic)ctronic)
050	0	4	_aPN1995 _b.T863 2018
049			_aMAIN
100	1		_aHogan, Erin K., _e1
245	1	0	_aThe two cines con niño : _bgenre and the child protagonist in over fifty years of Spanish film (1955-2010) / _cErin K. Hogan.
246	3	0	_aGenre and the child protagonist in over fifty years of Spanish film (1955-2010)
260			_aEdinburgh : _bEdinburgh University Press, _c(c)2018.
300			_a1 online resource (x, 236 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
504			_a1, filmography and index.
505	0	0	_aIntroduction : the two cines con niño : the ventiloquism, dialogism and biopolitics of the children of Franco in genre film -- _tThe black market and the stolen children of Franco in Demonios en el jardin -- _tThe appropriative and carnivalesque ventriloquism of altar boys from Joselito in El pequeño ruiseñor to Ignacio in La mala educación -- _tVentriloquism, kidnapping and the carnivalesque in Marisol's Tómbola -- _tAdopting, adapting and appropriating in the cines con niño : Un rayo de luz and El viaje de Carol -- _tProsopopeia and the gothic child from Marcelino pan y vino to El orfanato -- _tDialogism and ritual function of the nuevo cine con niño : El espíritu de la colmena, Secretos del corazón and El laberinto del fauno -- _tQueering post-war childhood in Urte ilunak and Pa negre -- _tThe transatlantic dialogism in narrative and aesthetics of Bildungsfilms : La lengua de las mariposas, Machuca, El espíritu de la colmena, El premio, El laberinto del fauno and Infancia clandestina -- _tConclusion : Spanish movies : genre, nation and Spanish movie.
520	0		_aThis is the first genre study of child-starred cinemas from Spain. It illuminates continuities in the political use of the child protagonist in over fifty years of Spanish cinema and how the child-starred genres deploy the concept of childhood to retrospectively define the nation and its future. From Francoist popular to oppositional auteur films, and including Spanish and Latin American cinema, this monograph examines commonalities in aesthetics, narratives and genre functions. It demonstrates the impact of these narratives within Spanish film history and Francoist biopolitics, as well as providing a broader transatlantic perspective on the genre in select productions from Chile and Argentina.
530			_a2 _ub
650		0	_aChildren in motion pictures.
650		0	_aMotion pictures, Spanish _xHistory.
650		0	_aMotion pictures _zSpain _xHistory.
650		0	_aProtagonists (Persons) in motion pictures.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1878203&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN.. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88861 _d88861
902			_a1 _bCynthia Snell _c1 _dCynthia Snell