000			03571cam a2200397Ii 4500
001			on1049568327
003			OCoLC
005			20240726105108.0
008			180823t20182018enka obq 001 0 eng d
040			_aNT _beng _erda _epn _cNT _dEBLCP _dNLE _dYDX _dCNCGM _dNT _dOCLCF _dUKMGB _dOCLCQ _dOTZ _dUKAHL _dOCLCQ _dK6U _dOCLCQ _dAUD _dJSTOR
016	7		_a018995460 _2Uk
020			_a9781526132567 _q((electronic)l(electronic)ctronic)
020			_a9781526132574
050	0	4	_aPN1995 _b.A378 2018
049			_aMAIN
100	1		_aKlevan, Andrew, _e1
245	1	0	_aAesthetic evaluation and film /Andrew Klevan.
260			_aManchester : _bManchester University Press, _c(c)2018.
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
490	0		_aManchester Film Studies
504			_aFilmography: pages 235-236.
505	0	0	_aIntroduction -- _tpart 1. What is evaluative aesthetics? The origin and definition of aesthetics -- _tThe aesthetic attitude -- _tAesthetics taste -- _tSensory immediacy -- _tAesthetic pleasure -- _tSeeking agreement -- _tImagination -- _tAesthetic appreciation -- _tForm and style -- _tAesthetic qualities -- _tSpecificity -- _tpart 2. What is aesthetic criticism? Evaluation -- _tUnderstanding and interpretation -- _tPerception -- _tExperience -- _tParticularity and responsiveness -- _tDescription and analysis -- _tClose reading -- _tComparison, category, and context -- _tIntention, achievement, and skill -- _tEvaluative criteria -- _tReasons, argument, and objectivity -- _tSubjectivity, contingency, and the relational -- _tpart 3. The aesthetic evaluatio nof film. Medium -- _tConstraint -- _tConvention -- _tChoice of expectation -- _tEncouraging perceptual activity -- _tProminence -- _tPattern -- _tRelation -- _tA note on pedgagogy -- _tBibliography -- _tFilmography -- _tIndex.
520	0		_a'Aesthetic evaluation and film provides an in-depth, holistic examination of evaluative aesthetics and criticism as they apply to film. Organised around the explanation of key concepts, it illuminates connections between the work of philosophers, theorists, and critics, and demonstrates the evaluation of form through a close analysis of film sequences. The book advocates that aesthetic evaluation should be flexibly informed by a cluster of concerns including medium, convention, prominence, pattern, and relation; and rather than privileging a particular theory or film style, it models a type of approach, attention, process, and discourse. This is particularly effective for evaluating films from different places, periods, and genres, ensuring that the book will be a central text in the field for years to come.Suitable for students of film studies and philosophical aesthetics at both undergraduate and postgraduate levels, Aesthetic evaluation and film provides a framework for academics researching or teaching in the area. At the same time, the crisp and lucid style will make the book accessible to a wider readership.' --Back cover.
530			_a2 _ub
650		0	_aMotion pictures _xAesthetics.
650		0	_aMotion pictures _xEvaluation.
655		1	_aElectronic Books.
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1875941&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88847 _d88847
902			_a1 _bCynthia Snell _c1 _dCynthia Snell