000			04164cam a2200409Ii 4500
001			on1047812068
003			OCoLC
005			20240726105107.0
008			180803t20182018enk ob 001 0 eng d
040			_aYDX _beng _erda _epn _cYDX _dNT _dEBLCP _dNT _dNLE _dCNCGM _dOCLCF _dOCLCQ _dYDX _dUKMGB _dUKAHL _dRDF _dCUI _dOCLCQ _dK6U _dOCLCQ _dAUD _dJSTOR _dOSU
015			_aGBB8D4747 _2bnb
016	7		_a018980511 _2Uk
020			_a9781526120601 _q((electronic)l(electronic)ctronic)
020			_a9781526120618 _q((electronic)l(electronic)ctronic)
043			_ae-uk---
050	0	4	_aPN5124 _b.R577 2018
049			_aMAIN
245	1	0	_aRipped, torn and cut : _bpop, politics and punk fanzines from 1976 / _cedited by the Subcultures Network.
260			_aManchester : _bManchester University Press, _c(c)2018.
300			_a1 online resource (xv, 325 pages) : _billustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_adata file _2rda
520	0		_a"Ripped, torn and cut offers a collection of original essays exploring the motivations behind - and the politics within - the multitude of fanzines that emerged in the wake of British punk from 1976. Sniffin' Glue (1976-77), Mark Perry's iconic punk fanzine, was but the first of many, paving the way for hundreds of home-made magazines to be cut and pasted in bedrooms across the UK. From these, glimpses into provincial cultures, teenage style wars and formative political ideas may be gleaned. An alternative history, away from the often-condescending glare of London's media and music industry, can be formulated, drawn from such titles as Ripped & Torn, Brass Lip, City Fun, Vague, Kill Your Pet Puppy, Toxic Grafity, Hungry Beat and Hard as Nails. The first book of its kind, this collection reveals the contested nature of punk's cultural politics by turning the pages of a vibrant underground press."--Publisher's website.
504			_a2
505	0	0	_aDoing it ourselves: countercultural and alternative radical publishing in the decade before punk / _rJess Baines, Tony Credland and Mark Pawson -- _tZines and history: zines as history / _rLucy Robinson -- _tWhose culture? Fanzines, politics and agency / _rMatthew Worley -- _tInvisible women: the role of women in punk fanzine creation / _rCazz Blase -- _t'Pam ponders Paul Morley's cat': City Fun and the politics of post-punk / _rDavid Wilkinson -- _tGoth zines: writing from the dark underground, 1976-92 / _rClaire Nally -- _tThe evolution of an anarcho-punk narrative, 1978-84 / _rRuss Bestley and Rebecca Binns -- _t'Don't do as you're told, do as you think': the transgressive zine culture of industrial music in the 1970s and 1980s / _rBenjamin Bland -- _tAre you scared to get punky? Indie pop, fanzines and punk rock / _rPete Dale -- _tVague post-punk memoirs, 1979-89 / _rTom Vague -- _t'Mental liberation issue': Toxic Grafity's punk epiphany as subjectivity (re)storying 'the truth of revolution' across the lifespan / _rMike Diboll -- _tFrom Year Zero to 1984: I was a pre-teen fanzine writer / _rNicholas Bullen -- _tKick: positive punk / _rRichard Cabut -- _t"This is aimed as much at us as at you': my life in fanzines / _rClare Wadd -- _tPunking the bibliography: RE/Search Publications, the bookshelf question and ideational flow / _rS. Alexander Reed -- _tContradictory self-definition and organisation: the punk scene in Munich, 1979-82 / _rKarl Siebengartner -- _t'Angry grrrl zines': riot grrrl and body politics from the early 1990s / _rLaura Cofield
530			_a2 _ub
650		0	_aFan magazines _xPolitical aspects _zGreat Britain _xHistory and criticism _y20th century.
650		0	_aPunk culture _xPolitical aspects _zGreat Britain _y20th century.
655		1	_aElectronic Books.
700	1		_aSubcultures Network, _e5
856	4	0	_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1857128&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942			_cOB _D _eEB _hPN. _m2018 _QOL _R _x _8NFIC _2LOC
994			_a92 _bNT
999			_c88781 _d88781
902			_a1 _bCynthia Snell _c1 _dCynthia Snell