000 | 02081cam a2200361Ki 4500 | ||
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001 | on1037351674 | ||
003 | OCoLC | ||
005 | 20240726105103.0 | ||
008 | 180525s2018 stka ob 001 0 eng d | ||
040 |
_aNT _beng _erda _epn _cNT _dYDX _dNT |
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020 |
_a9781474416511 _q((electronic)l(electronic)ctronic) |
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050 | 0 | 4 |
_aNA350 _b.R447 2018 |
049 | _aMAIN | ||
100 | 1 |
_aBush, Olga. _e1 |
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245 | 1 | 0 |
_aReframing the Alhambra : _bArchitecture, poetry, textiles and court ceremonial / _cOlga Bush. |
260 |
_aEdinburgh : _bEdinburgh University Press _c2018. |
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300 | _a1 online resource (344 pages) | ||
336 |
_atext _btxt _2rdacontent |
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337 |
_acomputer _bc _2rdamedia |
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338 |
_aonline resource _bcr _2rdacarrier |
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347 |
_adata file _2rda |
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490 | 1 | _aEdinburgh Studies in Islamic Art | |
504 | _a2 | ||
520 | 8 | _aThe Nasrid builders of the Alhambra - the best-preserved medieval Muslim palatial city - were so exacting that some of their work could not be fully explained until the invention of fractal geometry. Their design principles have been obscured, however, by the loss of all archival material. This book resolves that impasse by investigating the neglected, interdisciplinary contexts of medieval poetics and optics and through comparative study of Islamic court ceremonials. This reframing enables the reconstruction of the underlying, integrated aesthetic, focusing on the harmonious interrelationship between diverse artistic media - architecture, poetry and textiles - in the experience of the beholder, resulting in a new understanding of the Alhambra. | |
530 |
_a2 _ub |
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650 | 0 | _aArchitecture. | |
650 | 0 | _aArchitectural drawing, Medieval. | |
655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1815050&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
942 |
_cOB _D _eEB _hNA _m2018 _QOL _R _x _8NFIC _2LOC |
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994 |
_a92 _bNT |
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999 |
_c88576 _d88576 |
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902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |