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001 | on1037950550 | ||
003 | OCoLC | ||
005 | 20240726105103.0 | ||
008 | 180529s2018 stka ob 001 0 eng d | ||
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_aNT _beng _erda _epn _cNT _dYDX _dOCLCF _dNLE _dUKOUP _dUKMGB _dQGJ _dXMC _dLEAUB _dJSTOR |
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_aGBB899450 _2bnb |
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_a018879998 _2Uk |
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_a9781474431125 _q((electronic)l(electronic)ctronic) |
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020 | _a9781474431118 | ||
020 | _a9781474445238 | ||
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050 | 0 | 4 |
_aPN1993 _b.N498 2018 |
049 | _aMAIN | ||
100 | 1 |
_aTierney, Dolores, _e1 |
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245 | 1 | 0 | _aNew transnationalisms in contemporary Latin American cinemas /Dolores Tierney. |
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_aEdinburgh : _bEdinburgh University Press Ltd, _c(c)2018. |
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_a1 online resource (xiv, 282 pages) : _billustrations. |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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490 | 1 | _aTraditions in world cinema | |
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520 | 0 | _aIn the late 1990s and early 2000s Latin American films like Amores perros, Diarios de motocicleta, Y tu mamá también and Cidade de Deus enjoyed an unprecedented level of critical and commercial success in global markets. Benefiting from external financial and/or creative input, these films were considered examples of transnational cinema. Through a textual analysis of six filmmakers (Alejandra González Iñárritu, Alfonso Cuarón, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan José Campanella), this book examines these and other transnational films including the subsequent wave of commercially successful 'deterritorialised' films by the same directors. It argues that although the films produced within the parameters of the United States film industry may have been commercially successful, they are not necessarily apolitical nor totally divorced from key notions of national or continental identity. Bringing a new perspective to the films of Latin America's transnational auteurs, New Transnationalisms in Contemporary Latin American Cinemas is a major contribution towards understanding how different genres function across different cultures--back cover. | |
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_aMotion pictures _zLatin America. |
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_aMotion picture producers and directors _zLatin America. |
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650 | 0 |
_aMotion pictures and transnationalism _zLatin America. |
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655 | 1 | _aElectronic Books. | |
856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1814984&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_a1 _bCynthia Snell _c1 _dCynthia Snell |