000 03878cam a2200421 i 4500
001 on1100462085
003 OCoLC
005 20240726105100.0
008 180629s2019 nju ob s001 0 eng d
040 _aUKAHL
_beng
_erda
_epn
_cUKAHL
_dOCLCQ
_dDEGRU
_dOCLCO
_dBRX
_dOCLCF
_dNT
_dEBLCP
_dP@U
_dYDXIT
_dJSTOR
_dYDX
_dOCLCO
_dOCLCQ
_dOUP
020 _a9780813589732
_q((electronic)l(electronic)ctronic)
020 _a9780813589718
_q((electronic)l(electronic)ctronic)
043 _an-us---
050 0 4 _aPS153
_b.H863 2019
049 _aMAIN
100 1 _aHoberman, Michael,
_e1
245 1 0 _aA hundred acres of America :
_bthe geography of Jewish American literary history /
_cMichael Hoberman.
260 _aNew Brunswick, New Jersey :
_bRutgers University Press,
_c(c)2019.
300 _a1 online resource (ix, 183 pages)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _adata file
_2rda
505 0 0 _t"A never failing source of interest to us" : Jewish American literature and the sense of place --
_t"In this vestibule of God's holy temple" : the frontier accounts of Solomon Carvalho and Israel Joseph Benjamin, 1857-1862 --
_tColonial revival in the immigrant city : the invention of Jewish American urban history, 1870-1910 --
_t"A rare good fortune to anyone" : Joseph Leiser's and Edna Ferber's reminiscences of small-town Jewish life, 1909-1939 --
_t"The longed for pastoral" : images of exurban exile in Philip Roth's American pastoral (1997) and Allegra Goodman's Kaaterskill Falls --
_tReturn to the shtetl : following the "topological turn" in Rebecca Goldstein's Mazel (1995) and Jonathan Safran Foer's Everything is illuminated --
_tTurning dreamscapes into landscapes on the "wild West Bank" frontier : Jon Papernick's The ascent of Eli Israel (2002) and Risa Miller's Welcome to heavenly heights --
_tMystical encounters and ordinary places.
520 0 _aIn A Hundred Acres of America: The Geography of Jewish American Literary History, Michael Hoberman introduces cultural geography as an alternative approach to the immigrant model. Cultural geography allows Hoberman to restore Jewish American writers to their roles as important, active members of the American literary landscape from the 1850s to the present, and to argue that Jewish history, American literary history, and the inhabitation of American geography are, and always have been, contiguous entities. A Hundred Acres of America makes its case by investigating both canonical and extra-canonical literary depictions of six geographies: the frontier, the small town, the urban, the suburban, America as seen from Europe, and Israel as seen from America. Hoberman reads dozens of representative texts closely, and analyzes a wide range of authors, from frontier-era memoirists and turn-of-the-century native-born reformers to contemporary novelists. He adroitly demonstrates that Jewish American authors are not only present throughout American literary history, but actively shaped this history with writings that often subverted or contradicted the ways their non-Jewish peers depicted these geographies"--
_cProvided by publisher.
504 _a2
530 _a2
_ub
650 0 _aJewish literature
_zUnited States.
650 0 _aJews
_zUnited States
_xSocial life and customs.
650 0 _aAmerican literature
_xJewish authors
_xHistory and criticism.
650 0 _aJews in literature.
650 0 _aGeography in literature.
655 1 _aElectronic Books.
856 4 0 _uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1791787&site=eds-live&custid=s3260518
_zClick to access digital title | log in using your CIU ID number and my.ciu.edu password
942 _cOB
_D
_eEB
_hPS.
_m2019
_QOL
_R
_x
_8NFIC
_2LOC
994 _a92
_bNT
999 _c88383
_d88383
902 _a1
_bCynthia Snell
_c1
_dCynthia Snell