| 000 | 03440cam a2200481Mi 4500 | ||
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| 001 | on1019655276 | ||
| 003 | OCoLC | ||
| 005 | 20240726105057.0 | ||
| 008 | 180109r20182017be ag o 000 0 eng d | ||
| 040 |
_aP@U _beng _erda _cP@U _dOCLCO _dOCLCF _dYDX _dJSTOR _dEBLCP _dNT |
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| 020 |
_a9789461662378 _q((electronic)l(electronic)ctronic) |
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| 020 |
_a9461662378 _q((electronic)l(electronic)ctronic) |
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| 043 | _ae-gx--- | ||
| 050 | 0 | 4 |
_aML410 _b.W654 2018 |
| 049 | _aMAIN | ||
| 100 | 1 |
_aKnockaert, Yves, _e1 |
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| 245 | 1 | 0 |
_aWolfgang Rihm, a chiffre _bthe 1980s and beyond / _cYves Knockaert ; with a foreword by Richard McGregor. |
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_aLeuven, Belgium : _bLeuven University Press, _c(c)2017. |
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_a(Baltimore, Md. : _bProject MUSE, _c(c)2015). |
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_aBaltimore, Maryland : _bProject Muse, _c(c)2018. |
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_a(Baltimore, Md. : _bProject MUSE, _c(c)2015). |
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_a(Baltimore, Md. : _bProject MUSE, _c(c)2015). |
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_a1 online resource (339 pages) : _billustrations, music. |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_adata file _2rda |
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| 500 | _aIssued as part of book collections on Project MUSE. | ||
| 504 | _a2 | ||
| 505 | 0 | 0 |
_aPart I. Style -- _t1. Between classical and individual -- _t2. Between modernism and postmodernism -- _t3. Musical traces -- _t4. Fine arts -- _t5. Repetition -- _t6. Nature and proportions -- _t7. Studying proportions -- _tpart II. Analysis -- _t8. Integrated approach -- _t9. Parameter characteristics -- _t10. String quartet in the 1980s : string quartets nos. 5-8 -- _t11. Group formation : Chiffre cycle -- _t12. Chiffre cycle : harmony -- _t13. Chiffre cycle : resonance -- _t14. Chiffre cycle : cyclic elements -- _t15. Chiffre cycle : symmetry -- _t16. Chiffre cycle : proportions. |
| 520 | 0 | _aWolfgang Rihm (born Karlsruhe, 1952) is the most performed living German composer. With his personal, expressive, and versatile music, he became the most prominent representative of his generation. His individual approach to music was established in the 1980s and he continues to explore and enlarge his original concepts today. His 1980s work is at the core of this book, more specifically his instrumental music: the Chiffre cycle and the string quartets. Thinking about Rihm includes reflecting on his interest in philosophy, his relation to fine arts, his awareness of principles found in nature, and his references to important composers from the past. His music is embedded in the past and the actuality in modernism and postmodernism. Notwithstanding Rihm's generosity in essays and introductions to his works, many aspects of the 'inner sound' of his music stay an elusive, ungraspable 'chiffre': a challenge for the analyst. | |
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_a2 _ub |
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_aRihm, Wolfgang _xCriticism and interpretation. |
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_aComposers _zGermany _y20th century. |
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| 655 | 1 | _aElectronic Books. | |
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_aProject Muse, _edistributor. |
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| 700 | 1 | _aProject Muse. | |
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_aMcGregor, Richard, _d1953- _ewriter of foreword. |
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| 856 | 4 | 0 |
_uhttps://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1724607&site=eds-live&custid=s3260518 _zClick to access digital title | log in using your CIU ID number and my.ciu.edu password |
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_cOB _D _eEB _hML. _m2017 _QOL _R _x _8NFIC _2LOC |
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_a92 _bNT |
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_c88184 _d88184 |
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| 902 |
_a1 _bCynthia Snell _c1 _dCynthia Snell |
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